RESONANCE PIANO | PETROF PIANO | NI KONTAKT | Alex Di Donna

Описание к видео RESONANCE PIANO | PETROF PIANO | NI KONTAKT | Alex Di Donna

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🚀 RESONANCE PIANO: https://www.synthonia.com/marketplace...
📩 Mail: [email protected]

Piano Resonance for NI Kontakt (6.22 or later) is a wonderful sampled piano (the famous Petrof Piano ) featuring its natural resonance through an advanced technique of sampling. This piano is useful for both classical and modern context. You will be surprised by its brilliance and dynamics.

Audio Demo has been performed by Alex Di Donna
Resonance Piano is a Kontakt instrument created by Graziano Cammisa under the pseudonym ZETA!

Resonance Piano was sampled from a PETROF Mod. III piano, residing in Palazzo Roberti di Mola di Bari, on the 16th of January 2020.
The piano, owned by the municipality of Mola di Bari, as well as the historic building in which it still resides, does not have a precise date, nor is the municipality in possession of documents as it is the result of a donation from the previously owner family of the building, but it should be dated to the early 1900s according to reports from municipal employees.

I had been thinking about a special project for some time that had to do with sampling special instruments. In short, I was wondering if sampling and creating a virtual instrument could have the purpose of preserving the original instrument; I was wondering if it made sense to sample an instrument in order to conserve it, photograph it and make it imperishable, immortal; I wondered how I should go about the whole technical process to make sense for the conservation purpose.

The first point was to find special instruments that had a particular story to tell and not just a unique sound.
The second idea was to leave them where these instruments lived, to capture their real life, there in the place where those instruments had lived and not simply their sound in a perfect recording room.
The third and final question, which goes hand in hand with the second, was to preserve as much as possible the sound of the room as it was.

The Piano of Palazzo Roberti, in the days immediately preceding, had been cleaned, overhauled and tuned, even the municipal employees tell that recovery and restoration work had been done on the soundboard by a specialized technician.
He resided in a stone room, whitewashed, now empty, with a ribbed vault that served as the entrance to the historic building, and which, alas, directly overlooked the main square of the town, exactly next to a bar.

It was perfect for the first experiment, so I gave it a try !

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