Скачать или смотреть মীড় ও গমক কিভাবে রেয়াজ করতে হয়🎹❓ How to do riyaz of GAMAK and MEEND 🎼 I Amazing Riyaz Technique

মীড় ও গমক কিভাবে রেয়াজ করতে হয়🎹❓ How to do riyaz of GAMAK and MEEND 🎼 I Amazing Riyaz Technique
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meend (Hindi: मीण्ड, Urdu: مینڈ) refers to a glide from one note to another.It is an essential performance practice, and is used often in vocal and instrumental music. On the veena, sitar, sarangi and other plucked stringed instruments, it is usually done by pushing the strings across the frets to vary their effective length and tension; compare portamento and finger vibrato. This can be done on wind instruments like the bansuri by using the fingers to cover the holes in a manner that the changes between discrete pitches are imperceptible. It is considered a sort of alankar, or ornament.
Meend is an important part of any classical performance; however, it is a technique not possible on a hand-held harmonium often used in musical concerts (or on the santoor). For this reason, traditionalists singing khyal prefer an accompaniment on an instrument such as a sarangi that can perform meend.
Gamaka (also spelled gamakam) refer to ornamentation that is used in the performance of North and South Indian classical music.Gamaka can be understood as embellishment done on a note or between two notes. Present-day Carnatic music uses at least fifteen different kinds of ornamentation.Gamaka is any graceful turn, curve or cornering touch given to a single note or a group of notes, which adds emphasis to each raga's individuality.Gamaka can be understood as any movement done on a note or in between two notes. The unique character of each raga is given by its gamakas, making their role essential rather than decorative in Indian music. Nearly all Indian musical treatises have a section dedicated to describing, listing and characterising gamakas.

The term gamaka itself means "ornamented note" in Sanskrit. Gamakas involve the variation of pitch of a note, using oscillations or glides between notes.Each raga has specific rules on the types of gamakas that might be applied to specific notes, and the types that may not.

Various commentators on Indian music have mentioned different numbers of gamakas. For example, Sarangadeva describes fifteen gamakas, Narada in Sangeeta Makaranda describes nineteen gamakas, and Haripala in Sangeet Sudhakar describes seven gamakas.

Gamakas involve the variation of pitch of a note, using oscillations or glides between notes. Each raga has specific rules on the types of gamakas that might be applied to specific notes, and the types that may not. Various commentators on Indian music have mentioned different numbers of gamakas.

Gamaka, also known as gamak, refer to ornamentation. that is used in the performance of North and South. Indian classical music. Gamaka can be understood as. embellishment done on a note or between two notes.
The origin of Gamaka goes back to the age of Ramayana. Adikavi Valmiki taught Ramayana to Lava and Kusha, his disciples in Gamaka form. These two boys sang the whole of Ramayana in musical form before the great Sri Rama.
Suppose you take 2 notes with their frequencies at 480 Hz and 360 Hz. When the performer changes the frequency (i.e. the pitch) in a smooth manner from 480 to 360, the pitch appears to glide from the higher note to the lower note without a break. This is the Meend.
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