Diminished Scale over Dominant 7 - using a TRIAD - Q & A with Robert Renman

Using the Diminished Scale over Dominant 7 chords works great, and here is an idea coming from this approach. We can create a major TRIAD 1.5 whole-steps below the chord we are playing over. From there, you can move this major triad in 1.5 whole-step increments (3 frets). Any of those triads can be used over a Dominant Seventh chord, due to the symmetrical nature of this scale. Cool yah?

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