Janoska Symphony Op. 1, 3.mov "Budapest" (František Janoska) with Wiener Symphoniker, Julian Rachlin

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František Janoska
Janoska Symphony Op. 1
“Impressions Along The Danube“
1. Bratislava, 2, Vienna, 3. Budapest
Arranged by Janoska Ensemble

Third movement, “Budapest“

Konzerthaus Wien, Great Hall
Wiener Symphoniker
Maestro Julian Rachlin
Bernhard Pfaffelmaier, Tárogató
________________________
Here are some of the composer's thoughts on his work:
“𝑇ℎ𝑒 𝐽𝑎𝑛𝑜𝑠𝑘𝑎 𝑆𝑦𝑚𝑝ℎ𝑜𝑛𝑦 𝑂𝑝. 1 𝑠ℎ𝑜𝑤𝑠 𝑎 𝑗𝑜𝑢𝑟𝑛𝑒𝑦 𝑖𝑛 𝑡ℎ𝑟𝑒𝑒 𝑝𝑖𝑐𝑡𝑢𝑟𝑒𝑠 𝑡ℎ𝑟𝑜𝑢𝑔ℎ 𝑐𝑜𝑢𝑛𝑡𝑟𝑖𝑒𝑠 𝑎𝑛𝑑 𝑐𝑖𝑡𝑖𝑒𝑠 𝑖𝑛 𝑡ℎ𝑒 𝐷𝑎𝑛𝑢𝑏𝑒 𝑟𝑒𝑔𝑖𝑜𝑛, 𝑤ℎ𝑜𝑠𝑒 𝑙𝑜𝑛𝑔 𝑚𝑢𝑠𝑖𝑐𝑎𝑙 𝑡𝑟𝑎𝑑𝑖𝑡𝑖𝑜𝑛 ℎ𝑎𝑠 𝑠ℎ𝑎𝑝𝑒𝑑 𝑚𝑒 𝑚𝑢𝑠𝑖𝑐𝑎𝑙𝑙𝑦 𝑠𝑖𝑛𝑐𝑒 𝑚𝑦 𝑐ℎ𝑖𝑙𝑑ℎ𝑜𝑜𝑑: 𝐵𝑟𝑎𝑡𝑖𝑠𝑙𝑎𝑣𝑎 – 𝑉𝑖𝑒𝑛𝑛𝑎 – 𝐵𝑢𝑑𝑎𝑝𝑒𝑠𝑡.
𝑀𝑦 𝑙𝑎𝑠𝑡 𝑐𝑖𝑡𝑦 𝑝𝑜𝑟𝑡𝑟𝑎𝑖𝑡 𝑖𝑠 𝐵𝑢𝑑𝑎𝑝𝑒𝑠𝑡. 𝐼 𝑙𝑜𝑣𝑒 𝑡ℎ𝑖𝑠 𝑦𝑜𝑢𝑛𝑔𝑒𝑠𝑡 𝑐𝑖𝑡𝑦 𝑖𝑛 𝑚𝑦 𝐷𝑎𝑛𝑢𝑏𝑒 𝑡𝑟𝑖𝑙𝑜𝑔𝑦 𝑏𝑒𝑐𝑎𝑢𝑠𝑒 𝑤𝑒 ℎ𝑎𝑣𝑒 𝑓𝑎𝑚𝑖𝑙𝑖𝑒𝑠 ℎ𝑒𝑟𝑒 𝑡𝑜𝑜 𝑎𝑛𝑑 𝐻𝑢𝑛𝑔𝑎𝑟𝑖𝑎𝑛 𝑖𝑠 𝑚𝑦 𝑠𝑒𝑐𝑜𝑛𝑑 𝑚𝑜𝑡ℎ𝑒𝑟 𝑡𝑜𝑛𝑔𝑢𝑒. 𝑂𝑢𝑟 𝑚𝑢𝑠𝑖𝑐𝑎𝑙 𝑟𝑜𝑜𝑡𝑠 𝑎𝑟𝑒 𝑎𝑙𝑠𝑜 𝑑𝑒𝑒𝑝𝑙𝑦 𝑎𝑛𝑐ℎ𝑜𝑟𝑒𝑑 𝑖𝑛 𝑡ℎ𝑒 𝐻𝑢𝑛𝑔𝑎𝑟𝑖𝑎𝑛 𝑚𝑢𝑠𝑖𝑐𝑎𝑙 𝑡𝑟𝑎𝑑𝑖𝑡𝑖𝑜𝑛.
𝑊ℎ𝑎𝑡 𝑡ℎ𝑒 𝑊𝑖𝑒𝑛𝑒𝑟 𝐿𝑖𝑒𝑑 𝑖𝑠 𝑓𝑜𝑟 𝑉𝑖𝑒𝑛𝑛𝑎 𝑎𝑡 𝑡ℎ𝑒 𝑯𝒆𝒖𝒓𝒊𝒈𝒆𝒏, 𝑖𝑠 𝑓𝑜𝑟 𝐵𝑢𝑑𝑎𝑝𝑒𝑠𝑡 𝑡ℎ𝑒 𝑷𝒓𝒊𝒎𝒂𝒔 𝑎𝑛𝑑 ℎ𝑖𝑠 𝑩𝒂𝒏𝒅𝒂, 𝑤ℎ𝑜 𝑝𝑙𝑎𝑦 𝑖𝑛 𝑡ℎ𝑒 𝑡𝑦𝑝𝑖𝑐𝑎𝑙 𝐻𝑢𝑛𝑔𝑎𝑟𝑖𝑎𝑛 𝑟𝑒𝑠𝑡𝑎𝑢𝑟𝑎𝑛𝑡𝑠 𝑐𝑎𝑙𝑙𝑒𝑑 𝑪𝒔𝒂́𝒓𝒅𝒂. 𝑀𝑦 𝑩𝒖𝒅𝒂𝒑𝒆𝒔𝒕 𝑚𝑜𝑣𝑒𝑚𝑒𝑛𝑡 𝑎𝑙𝑠𝑜 𝑏𝑒𝑔𝑖𝑛𝑠 𝑒𝑥𝑎𝑐𝑡𝑙𝑦 𝑖𝑛 𝑡ℎ𝑖𝑠 𝑠𝑜𝑙𝑜𝑖𝑠𝑡𝑖𝑐, 𝑛𝑜𝑛-𝑠𝑦𝑚𝑝ℎ𝑜𝑛𝑖𝑐 𝑎𝑡𝑚𝑜𝑠𝑝ℎ𝑒𝑟𝑒, 𝑓𝑜𝑟 𝑤ℎ𝑖𝑐ℎ 𝐼 ℎ𝑎𝑣𝑒 𝑒𝑥𝑐𝑙𝑢𝑠𝑖𝑣𝑒𝑙𝑦 𝑤𝑟𝑖𝑡𝑡𝑒𝑛 𝑚𝑦 𝑜𝑤𝑛 “𝐻𝑢𝑛𝑔𝑎𝑟𝑖𝑎𝑛” 𝑡ℎ𝑒𝑚𝑒𝑠: 𝑡ℎ𝑒 𝑷𝒓𝒊𝒎𝒂𝒔 𝑠𝑡𝑒𝑝𝑠 𝑓𝑜𝑟𝑤𝑎𝑟𝑑 𝑎𝑛𝑑 𝑝𝑙𝑎𝑦𝑠 𝑎𝑡 𝑡ℎ𝑒 𝑏𝑒𝑔𝑖𝑛𝑛𝑖𝑛𝑔 𝑎 𝑝𝑎𝑠𝑠𝑖𝑜𝑛𝑎𝑡𝑒 𝑖𝑛𝑡𝑟𝑜𝑑𝑢𝑐𝑡𝑖𝑜𝑛 𝑤𝑖𝑡ℎ ℎ𝑖𝑠 𝑒𝑛𝑠𝑒𝑚𝑏𝑙𝑒. 𝑇ℎ𝑖𝑠 𝑖𝑠 𝑓𝑜𝑙𝑙𝑜𝑤𝑒𝑑 𝑏𝑦 𝑡ℎ𝑒 𝑚𝑎𝑖𝑛 𝑡ℎ𝑒𝑚𝑒, 𝑖𝑛 𝑤ℎ𝑖𝑐ℎ 𝑡ℎ𝑒 𝑜𝑟𝑐ℎ𝑒𝑠𝑡𝑟𝑎 𝑝𝑟𝑒𝑠𝑒𝑛𝑡𝑠 𝑎 𝑯𝒂𝒍𝒍𝒈𝒂𝒕𝒐́, 𝑎 𝑓𝑜𝑟 𝑡ℎ𝑒 𝑓𝑖𝑟𝑠𝑡 𝑡𝑖𝑚𝑒 𝑠𝑦𝑚𝑝ℎ𝑜𝑛𝑖𝑐𝑎𝑙𝑙𝑦 𝑜𝑟𝑐ℎ𝑒𝑠𝑡𝑟𝑎𝑡𝑒𝑑 𝑡ℎ𝑒𝑚𝑒 𝑖𝑛 𝑠𝑡𝑦𝑙𝑒 𝑜𝑓 𝑎 “𝑓𝑜𝑙𝑘 𝑠𝑜𝑛𝑔” 𝑤ℎ𝑖𝑐ℎ 𝑖𝑠 𝑏𝑎𝑠𝑒𝑑 𝑜𝑛 𝑠𝑝𝑜𝑛𝑡𝑎𝑛𝑒𝑜𝑢𝑠 𝑒𝑚𝑜𝑡𝑖𝑜𝑛𝑠 - 𝑎𝑛𝑑 𝑚𝑢𝑠𝑖𝑐𝑎𝑙𝑙𝑦 𝑐ℎ𝑎𝑙𝑙𝑒𝑛𝑔𝑖𝑛𝑔 𝑎𝑙𝑙 𝑝𝑒𝑟𝑓𝑜𝑟𝑚𝑒𝑟𝑠.... 𝑇ℎ𝑒𝑛 - 𝑎 𝑐ℎ𝑎𝑛𝑔𝑒 𝑜𝑓 𝑠𝑡𝑦𝑙𝑒 – 𝑽𝒆𝒓𝒃𝒖𝒏𝒌𝒐𝒔: 𝑇ℎ𝑖𝑠 𝑑𝑎𝑛𝑐𝑒 𝑠𝑡𝑦𝑙𝑒, 𝑤ℎ𝑖𝑐ℎ 𝑖𝑠 𝑠𝑡𝑖𝑙𝑙 𝑐𝑢𝑟𝑟𝑒𝑛𝑡 𝑎𝑛𝑑 𝑖𝑚𝑝𝑜𝑟𝑡𝑎𝑛𝑡 𝑡𝑜𝑑𝑎𝑦, 𝑤𝑎𝑠 𝑜𝑟𝑖𝑔𝑖𝑛𝑎𝑙𝑙𝑦 𝑢𝑠𝑒𝑑 𝑖𝑛 𝑡ℎ𝑒 18𝑡ℎ 𝑐𝑒𝑛𝑡𝑢𝑟𝑦 𝑡𝑜 𝑒𝑛𝑐𝑜𝑢𝑟𝑎𝑔𝑒 𝑎𝑛𝑑 𝑟𝑒𝑐𝑟𝑢𝑖𝑡 𝐻𝑢𝑛𝑔𝑎𝑟𝑖𝑎𝑛 𝑚𝑒𝑛 𝑎𝑠 𝑠𝑜𝑙𝑑𝑖𝑒𝑟𝑠. 𝐴𝑛𝑑 𝑡ℎ𝑖𝑠 𝑖𝑠 𝑤ℎ𝑒𝑟𝑒 𝑡ℎ𝑒 𝐻𝑢𝑛𝑔𝑎𝑟𝑖𝑎𝑛 𝑠𝑜𝑙𝑜 𝑖𝑛𝑠𝑡𝑟𝑢𝑚𝑒𝑛𝑡, 𝑡ℎ𝑒 𝑒𝑥𝑜𝑡𝑖𝑐 𝑻𝒂́𝒓𝒐𝒈𝒂𝒕𝒐́, 𝑐𝑜𝑚𝑒𝑠 𝑖𝑛𝑡𝑜 𝑝𝑙𝑎𝑦:
𝑇ℎ𝑖𝑠 𝑤𝑜𝑜𝑑𝑒𝑛 𝑠𝑎𝑥𝑜𝑝ℎ𝑜𝑛𝑒 𝑖𝑠 𝑎𝑛 𝑜𝑙𝑑 𝐻𝑢𝑛𝑔𝑎𝑟𝑖𝑎𝑛 𝑓𝑜𝑙𝑘 𝑖𝑛𝑠𝑡𝑟𝑢𝑚𝑒𝑛𝑡 𝑤𝑖𝑡ℎ 𝑎𝑛 𝑖𝑛𝑐𝑜𝑚𝑝𝑎𝑟𝑎𝑏𝑙𝑦 𝑠𝑜𝑓𝑡 𝑠𝑜𝑢𝑛𝑑. 𝐼𝑚𝑚𝑒𝑑𝑖𝑎𝑡𝑒𝑙𝑦 𝑎𝑓𝑡𝑒𝑟𝑤𝑎𝑟𝑑𝑠 𝑦𝑜𝑢 ℎ𝑒𝑎𝑟 𝑓𝑖𝑟𝑠𝑡 𝑎 𝑠𝑙𝑜𝑤 (𝒍𝒂𝒔𝒔𝒖́), 𝑡ℎ𝑒𝑛 𝑎 𝑣𝑒𝑟𝑦 𝑓𝑎𝑠𝑡 (𝒇𝒓𝒊𝒔𝒔) 𝑪𝒔𝒂́𝒓𝒅𝒂́𝒔. 𝐸𝑎𝑐ℎ 𝑖𝑛𝑑𝑖𝑣𝑖𝑑𝑢𝑎𝑙 𝑒𝑛𝑠𝑒𝑚𝑏𝑙𝑒 𝑖𝑛𝑠𝑡𝑟𝑢𝑚𝑒𝑛𝑡 𝑛𝑜𝑤 ℎ𝑎𝑠 𝑡ℎ𝑒 𝑜𝑝𝑡𝑖𝑜𝑛 𝑡𝑜 𝑐𝑟𝑒𝑎𝑡𝑒 𝑖𝑡𝑠 𝑜𝑤𝑛 𝑠𝑝𝑜𝑛𝑡𝑎𝑛𝑒𝑜𝑢𝑠 𝑐𝑎𝑑𝑒𝑛𝑐𝑒. 𝑇ℎ𝑖𝑠 𝑑𝑎𝑛𝑐𝑒, 𝑤ℎ𝑖𝑐ℎ 𝑖𝑠 𝑏𝑒𝑐𝑜𝑚𝑖𝑛𝑔 𝑚𝑜𝑟𝑒 𝑎𝑛𝑑 𝑚𝑜𝑟𝑒 „𝒍𝒂𝒗𝒊𝒔𝒉“, 𝑓𝑖𝑛𝑎𝑙𝑙𝑦 𝑏𝑟𝑖𝑛𝑔𝑠 𝑎𝑙𝑙 𝑡ℎ𝑒 𝑚𝑢𝑠𝑖𝑐𝑖𝑎𝑛𝑠 𝑡𝑜𝑔𝑒𝑡ℎ𝑒𝑟 𝑖𝑛𝑡𝑜 𝑡ℎ𝑒 𝑣𝑖𝑟𝑡𝑢𝑜𝑠𝑜 𝑙𝑖𝑣𝑒𝑙𝑦 𝑓𝑖𝑛𝑎𝑙𝑒, 𝑖𝑛 𝑤ℎ𝑖𝑐ℎ 𝐹𝑟𝑎𝑛𝑧 𝐿𝑖𝑠𝑧𝑡 𝑎𝑙𝑠𝑜 𝑠𝑒𝑛𝑑𝑠 ℎ𝑖𝑠 𝑔𝑟𝑒𝑒𝑡𝑖𝑛𝑔𝑠 𝑓𝑜𝑟 𝑎 𝑏𝑟𝑖𝑒𝑓 𝑚𝑜𝑚𝑒𝑛𝑡.
𝑊ℎ𝑒𝑛 𝑡ℎ𝑒 𝑚𝑢𝑠𝑖𝑐𝑖𝑎𝑛𝑠 𝑎𝑛𝑑 𝑡ℎ𝑒 𝑑𝑖𝑠𝑡𝑖𝑛𝑔𝑢𝑖𝑠ℎ𝑒𝑑 𝑎𝑢𝑑𝑖𝑒𝑛𝑐𝑒 𝑑𝑎𝑛𝑐𝑒 ℎ𝑒𝑟𝑒 𝑎𝑡 𝑡ℎ𝑒 𝑙𝑎𝑡𝑒𝑠𝑡, 𝐼 𝑤𝑖𝑙𝑙 ℎ𝑎𝑣𝑒 𝑎𝑐ℎ𝑖𝑒𝑣𝑒𝑑 𝑡ℎ𝑒 𝑚𝑢𝑠𝑖𝑐𝑎𝑙 𝑔𝑜𝑎𝑙 𝑜𝑓 𝑚𝑦 𝑺𝒚𝒎𝒑𝒉𝒐𝒏𝒚 𝑶𝒑. 1...“

Our new album Revolution - out now!
https://uma.lnk.to/Janoska_Revolution

Recorded May 5, 2019 at Great Hall, Wiener Konzerthaus

Ondrej Janoska, violin
Roman Janoska, violin
Julius Darvas, double bass
František Janoska, piano

Ondrej Janoska plays a 1760 Carlo Ferdinando Landolfi violin, kindly loaned to him by Goh Family Collection.
Roman Janoska plays a Ferdinandus Gagliano Filius, Nicolai fecit Neap. 1769, kindly loaned to him by Dr. Christian Kuhn Collection.
František Janoska is Bösendorfer Artist.
Julius Darvas, Roman Janoska and Ondrej Janoska are Thomastik-Infeld Artists.