【渺生】2019 演出精華 An Eternity Before and After - Highlights

以渺小的振動映照存在的真實，以重複螺旋的身體拆解/創造時空的結構；透過肉身軀體、精神意識、物理運動與有機質性之間的碰撞與對話，《渺生》提問著「生」如何渺小、「渺」如何創生，窺探我們「身」而為人永無止盡的往返。

從田調傳統「牽亡歌」文化，階段性沉浸於民俗符號與儀式美學，並以劇場藝術性的轉化探索「被遺忘的文化身體」所創作的《彩虹的盡頭》（2016）；《渺生》（2019）持續受「牽亡歌」啟發，並進一步企圖超越傳統符碼，藉由聚焦「螺旋」作為唯一的身體動能，以低限、簡約、重複的身體路徑，開放迎接萬物能量的動流交匯，使意識和肉身之間恆常的來回辯證，提煉具在地文化脈絡、生猛靈動的「當代文化身體」美學。

An Eternity Before and After explores the insignificance of life, and how that insignificance can grow into creation, investigating the ceaseless journey of the human body. This is achieved through reflecting the existing truth with slight vibrations, dissecting/creating structures of space and time through spinning repetitions; sparking dialogue and impact between the body, the mind, physical movements and organic matter.

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Premiere: 2019/4/5-2019/4/7 @National Experimental Theater(TW)