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Metallica: Some Kind of Monster [ Bass Cover ] St. Anger is the eighthstudio album by , released on June 5, 2003. The last release of the band, released on the labels Elektra and Vertigo Records. It is also the latest release to be produced by Bob Rock, whose work with Metallica began with the fifth studio album of the same name.On September 27, 2001, Jason Newstead left the band, according to him, due to "physical harm that he caused to himself during the years of playing the music that he loves." However, in subsequent interviews with Newstead and the remaining members of Metallica, it was revealed that Newstead's desire to take a break for a year and release a recording of his project Echobrain and go on tour with it, and Hatfield's stubborn resistance to this, were the main reasons for the bassist's departure from the band. [12] The Playboy magazine interview also revealed that the banter with Newstead as a newcomer that started when he joined the band didn't stop with time. Newstead never had the full-time songwriting involvement that Cliff Burton had, but he was listed as a co-writer on the songs: "Blackened" from ...And Justice for All, «My Friend Of Misery» из Metallica, «Where The Wild Things Are» из ReLoad). The 2004 documentary Some Kind of Monster shed more light on Newstead's departure from Metallica.

Recording process
Recording for the album began on April 23, 2001, but was soon postponed due to Hatfield's rehabilitation course for "alcoholism and other bad habits" in July of that year. [13] As a result, the band did not begin recording until 2002. Eventually, James returned to the band, but only worked four hours a day, spending the rest of his time with his family. Slowly Metallica wrote and recorded material for their new album. Bob Rock played bass guitar.

The album's creation was documented in the movie Some Kind of Monster.

Release and promotion
Metallica: Some Kind of Monster [ Bass Cover ] St. Anger was released on June 5, 2003. It was originally scheduled for release on June 10, but due to Metallica's previous battle with Napster and concerns that it would be illegally released on peer-to-peer file sharing networks, the band moved the release date five days earlier. [15][16] A special edition of the album was released with a bonus DVD, featuring live studio rehearsals of all the album's tracks. The album sold 417,000 copies in its first week, [17] and debuted at number 1 on the US Billboard 200 chart, [18] as well as in 30 other countries around the world. [19] It has sold over 6 million copies worldwide. The band also released four singles from the album. The list of singles included "St. Anger"," Frantic"," The Unnamed Feeling "and"Some Kind of Monster". On the Hot Mainstream Rock Tracks chart, these singles peaked at numbers 21, 28,and 18, respectively.

Musical style and theme of songs
The musical style of the album St. Anger is very different from previous Metallica albums, due to the" steel " sound of the drums, the lowered guitar structure by 2 tones and the lack of guitar solos, as well as the raw sound of the album as a whole. The album's style is characterized as alternative metal[2][3] nu metal[4] and there is also a groove metal[5][22]

The album's songs are related to Hetfield's rehabilitation, including references to the devil, anti-drug themes, claustrophobia, and doom St. Anger received mixed reviews from critics; the album received a score of 65 out of 100 based on 20Metacritic. Adrien Begrand of PopMatters noted the album's positives and negatives, saying, "Although it's an idiotic mess at times, what you hear on this album is a band playing with passion for the first time in years." [36] Speaking about the album, Greg Kot of Blender said, " It may be too late to rehabilitate Metallica's image, but still, their music is killer." From the NME review, Ian Watson commented the following:

... the songs are a heroically violent reflection of this rage. You feel that, just as with their emotions, they have taken apart the metal and started all over again. There is no wasted space, no time for small guitar solos or clever bass tricks, just a purposeful, relentless attack. [30]
Johnny Loftus of AllMusic praised the album and called it "a punitive, unwavering document of internal strife", in which listeners find themselves in Metallica's bruised but vital body, eventually discovering the alternately tormenting and challenging demons that struggle in Hetfield's brain. St. Anger is an immediate entry[26]. Barry Walter of Rolling Stone magazine also responded positively to the direction taken in "St. Anger", stating," No wonder there's an authenticity to St. Anger " that no rap metal fan can touch. He also went further, noting the lack of commercial influences and modern rock aspects as in previous albums, continuing: "There is no four-minute rock radio, no friendly pop choruses, no ballads, no solos, no wayward experimentation." [32]