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Скачать или смотреть Emmi Whitehorse Intimate Landscapes at the Wheelwright Museum in Santa Fe Short Video I

  • Wheelwright Museum
  • 2026-02-14
  • 24
Emmi Whitehorse Intimate Landscapes at the Wheelwright Museum in Santa Fe Short Video I
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Описание к видео Emmi Whitehorse Intimate Landscapes at the Wheelwright Museum in Santa Fe Short Video I

"Emmi Whitehorse, Intimate Landscapes"
A two part exhibition at the Wheelwright Museum of the American Indian in Santa Fe NM (Museum Hill)
Part I February 21 – June 13, 2026
Part II June 18 – October 3, 2026

Emmi Whitehorse: Intimate Landscapes is an atmospheric portrait of an artist whose voice and vision are increasingly vital to both national and international art discourse. The exhibition unfolds over two parts in a retrospective format, featuring 40 works: Part I: Light and Space (1980–2000s) and Part II: Line and Form (1990–2020s). This dual structure invites viewers to trace this compelling biography through color and time, which chronicles Whitehorse’s artistic evolution from 1980 through 2026. Each rotation in the Klah Gallery features 20 works, drawn from the Wheelwright Museum’s permanent collection and enriched by loans from Emmi Whitehorse Studio and select private collections. Part II will include a new painting created especially for the show. The works in the Slater Gallery were gifted to the Wheelwright Museum by Whitehorse in 1999, representing one of her earliest series from 1980. A newly commissioned film, made by Diné filmmaker Kelso Meyer with support from the Walker Youngbird Foundation provides insight into Whitehorse’ biography and process. The exhibit will have an accompanying publication with contributions from Whitehorse; Henrietta Lidchi, Wheelwright Museum Executive Director; Hadley Jensen, the exhibition’s curator; and Diné art historian Kathleen Ash-Milby.
The media content accompanying Intimate Landscapes was produced and edited by Kelso Meyer (Diné) in 2025. Support for the film was generously provided by the Walker Youngbird Foundation.

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