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龚贤《摄山栖霞图卷》是清代 “金陵八家” 之首龚贤的晚年设色山水精品，以南京摄山（栖霞山）与栖霞寺为题材，融积墨技法与清雅设色于一体，现藏北京故宫博物院，是研究其艺术风格与清初山水画的重要实物。
名称：《摄山栖霞图卷》作者：龚贤（1618—1689），字半千，号野遗，金陵八家核心人物。年代：清代（晚年之作，约 17 世纪 80 年代）材质与形制：纸本设色手卷，纵 30.3 厘米，横 151.8 厘米。
题材与构图：以摄山栖霞寺实景为蓝本，近景绘溪流蜿蜒、林木葱郁，中景山腰隐现茅舍，远景栖霞寺大殿矗立峰顶、面朝长江；大面积留白表现江面与云气，与浓墨积染的山峦形成虚实对照，营造深远意境。
延续其标志性 “积墨法”，以凝重墨线勾勒山石轮廓，层层皴擦积点，再以花青为主色调晕染，辅以赭石点缀树石与屋顶，色墨交融，既显山石肌理与体积感，又不失清雅润泽。
卷末自题五言律诗，款署 “题摄山栖霞寺诗，龚野遗”，钤 “龚贤印”“半千” 等印；引首有曾熙题字，尾纸有吴昌硕跋，鉴藏印含 “虚斋审定” 等 5 方。
突破龚贤以水墨为主的创作习惯，是其罕见的设色精品，体现 “墨骨色韵” 的融合探索。
积墨法与留白的运用，强化了山水的空间层次与静谧氛围，对后世黄宾虹等画家的用墨技巧影响深远。
兼具纪实性与艺术性，为研究清初南京栖霞山风貌、文人山水审美提供了重要图像资料。
English Introduction
Basic Information
Title: Qixia Temple in She Mountain (Scroll)
Artist: Gong Xian (1618–1689), courtesy name Banqian, art name Yeyi, a leading figure of the "Eight Masters of Jinling".
Period: Late Qing Dynasty (late years of the artist, around the 1680s)
Medium and Format: Ink and color on paper, handscroll, 30.3 cm in height, 151.8 cm in length.
Collection: The Palace Museum, Beijing.
Content and Techniques
Theme and Composition: Depicts the real scenery of She Mountain (Qixia Mountain) and Qixia Temple in Nanjing. The foreground shows winding streams and lush forests; cottages are hidden halfway up the mountainside in the middle ground; the main hall of Qixia Temple stands on the peak facing the Yangtze River in the background. Large areas of blank space represent the river surface and mist, contrasting with the ink - layered mountains to create a profound artistic conception.
Brush and Ink Features: It inherits his iconic "ink - accumulating technique". The outlines of mountains and rocks are sketched with thick ink lines, then repeatedly textured and dotted. It is dyed with indigo as the main tone, supplemented by ochre to decorate trees, rocks and roof tiles. The integration of color and ink not only shows the texture and three - dimensional sense of mountains and rocks, but also maintains an elegant and moist effect.
Inscriptions and Collectors' Seals: A five - character regulated poem is inscribed at the end of the scroll, signed "To Qixia Temple in She Mountain, Gong Yeyi", with seals such as "Gong Xian Yin" and "Banqian". Zeng Xi inscribed the beginning, Wu Changshuo wrote a postscript at the end, and there are 5 collectors' seals including "Xu Zhai Shen Ding" (Xu Zhai's Authentication).
Artistic Significance
As a rare color work of Gong Xian, who mainly created ink paintings, it breaks his usual creation style and shows the exploration of integrating "ink skeleton and color charm".
The application of the ink - accumulating technique and blank space strengthens the spatial level and quiet atmosphere of the landscape, exerting a far - reaching influence on the ink techniques of later painters such as Huang Binhong.
With both documentary and artistic values, it provides important image materials for the study of the style of Qixia Mountain in Nanjing and the aesthetic taste of literati landscape painting in the early Qing Dynasty.