BTR#53 Vintage 1950-1954 Fender Telecaster “Blackguards”: a legend explained

Описание к видео BTR#53 Vintage 1950-1954 Fender Telecaster “Blackguards”: a legend explained

A special double-length episode to celebrate 70 years of my vintage 1953 Fender Telecaster that I nicknamed “The Witness”. It’s finally time for a comprehensive video on the original vintage Fender Esquires, Broadcasters, Nocasters and Telecasters made between 1950 and 1954, the so-called “Blackguards”. We are about to retrace their origin, to investigate their secrets, we are going to debunk some false myths and to explore with open mind their tone and technical features. Finally, we will get to the role of Blackguards in guitar culture and rock history unveiling some new testimonials. After more than 70 years, the Blackguards are still living instruments. They still need to sing their fascinating stories with their unique voice.
#vintageguitars #vintagefender #fendertelecaster

Opening scene: John Malkovich in "Siberian Education" directed by Gabriele Salvatores - 2013

Special thanks: Don Diego, Marco & Marco Gerber, Giacomo Bagorda, Paul Audia, Livia Monteleone, JJ Springfield, Francesco Gaudio, Stefano Manca ‪@Sudestudio‬

-English subtitles available in the options of the player
-Sottotitoli in Italiano attivabili dalle opzioni del player

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Index of contents:
00:00 - "The Blackguards" 1950-1954
03:18 - Birth and evolution of the Fender Electric Spanish Solid Body Guitars #guitarhistory
14:35 - From "Blend Circuit" to “Dark Circuit”
16:19 - The myth of Tadeo Gomez
18:11 - From Black to White Pickguard
19:58 - Blackguards in #guitarculture
34:28 - 1953 Fender Telecaster 2308, "The Witness"
35:52 - #guitartone Clean: Don Diego
37:07 - #guitartone Distorted: Behind Bars Collective
39:30 - The Blackguard Book by Nacho Baños
40:18 - 70 Years of Service, yet not ready for retirement!

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FAIR USE DISCLAIMER: This video may involve transformative use of short excerpts of copyrighted material, strictly and solely intended for informational, educational, research, commentary, and criticism purposes.

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