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Скачать или смотреть Schoenberg 20th c. Jazz Vocabulary🎸Improvisation-Permutations for Fusion Solos🎷Bergonzi/ChadLB🎹cells

  • Charles Harrison Music Tuition
  • 2020-08-03
  • 1194
Schoenberg 20th c. Jazz Vocabulary🎸Improvisation-Permutations for Fusion Solos🎷Bergonzi/ChadLB🎹cells
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Описание к видео Schoenberg 20th c. Jazz Vocabulary🎸Improvisation-Permutations for Fusion Solos🎷Bergonzi/ChadLB🎹cells

FREE 'Rethinking Jazz Guitar' course: http://bit.ly/RethinkingJazzGuitar
We'll be discussing how to use the 20th century permutation techniques popularised by twelve-tone composers such as Schoenberg, Copland and Stravinsky, to develop more fluency and cohesion throughout your solos.🎸

The main takeaway I'd like you to get from this lesson is that creating a cohesive and interesting solo is less about your technical skills on the instrument and more about your compositional and creative skills. I hope that after watching this video you'll take the material which a composition gives you and strive to explore it, developing it into something new, challenging and interesting and making it your own throughout your solos.🎷

Jerry Bergonzi is the master of motivic development and has written over a dozen books and courses on the subject. Chad LB is another player who endorses melodic cells to build jazz vocabulary as well as technique, often stringing several cells together to create longer lines and phrases. Although you certainly should go and buy some of these guys' great educational material, you should also be trying to build your own thesaurus of melodic cells drawn from the tunes you are studying.🎹

You're not really playing the standard/song if you're just creating brand new material over the changes. The melody is what makes the song the song which is why there are so many contrafacts- you must reference the melody often.

Same approach for academic compositions, GCSE, A Level and beyond. Justify every note and permutation you've used for the top marks!

For every new standard that you learn, try to build at least a dozen melodic cells and combine them into longer lines. Jot these ideas down, keeping note of your favourites and build a thesaurus of motifs, as Bergonzi has, and you'll be creating your own language drawn from the tradition.

📚If you would like to buy my Legato eBook: https://bit.ly/35aNaX0

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