Music Chat: Stupid Musicology Wrecks Mahler's First Symphony

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Here's a particularly telling example of musicology run amok--the ridiculous decision in the latest critical edition of Mahler's First Symphony to assign the iconic, muted double bass solo at the start of the third movement Funeral March to the entire section, thereby ruining Mahler's intended effect. How could this happen? Let's explore this lamentable phenomenon.

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