Grade School: Pro Colorist AMA

This week's live is taking your toughest coloring questions.
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0:00 Introduction

5:56 What are good methods to match two cameras used on set?

8:08 Where should we place halation?

13:59 How do we get more colorist jobs?

16:03 Mastering white point

16:40 How to get better at grading outdoor sports content?

18:17 What are your thoughts on Tetra DCTL?

21:01 Getting to another display than REC709

22:38 How to get more opportunities living away from any major production hub?

26:41 How to create a showLUT for different cameras with different color spaces?

35:28 Is there an easy way to maintain color management but disable color adjustments?

38:23 Best practices for highlight recovery

41:38 How to go from AcesCG to DaVinci Intermediate?

43:05 Highlight recovery in HSV

52:06 Is there a way to stop scrolling in the menu of the CST OFX when moving the mouse?

53:04 When to use HDR wheels

54:54 Is using DCTLs for color space transforms problematic for project archival?

55:38 How to fix two cameras with big exposure differences?

57:20 Using HSL saturation feels better than HSV, is that a problem on my end?

1:01:30 Can I grade to REC2020 using a REC709 monitor?