BACH TUTORIAL 2. 3 Part Invention 15 in B minor BWV 801 Daniel Martyn Lewis

Описание к видео BACH TUTORIAL 2. 3 Part Invention 15 in B minor BWV 801 Daniel Martyn Lewis

Welcome to my second BACH TUTORIAL!
This 55 minute tutorial features the wonderful Sinfonia in B minor.

My tutorials contain a ridiculous amount of detail! I just love talking. But I also love playing. And not simply the featured work, but many other extracts as well.

See the contents listing below, with timestamps to take you to the desired place in the video.

____________________________________________

BE A SUPPORTER!

SUBSCRIBE to my YouTube channel
SHARE the video with your friends and on social media
LIKE and COMMENT on the video

____________________________________________

CD GIVEAWAY!

The first 20 new subscribers will receive a free copy of my double CD featuring Bach’s Well Tempered Clavier book 2, released on the Odradek label. This is for UK residents only.

Here’s what to do:
1 Subscribe
2 Leave a comment below the video, telling me what specifically you appreciate about the tutorial.
3 Email me at the address below. Let me know that you've subscribed, and provide me with a postal address. Postage is free. UK residents only. I look forward to hearing from you!

____________________________________________


DONATE!

ANY donations towards making future videos are gratefully received, and I’ll personally send a thank you note!

https://paypal.me/danielmlewis


____________________________________________


ANY QUESTIONS OR COMMENTS? Feel free to email.
[email protected]


____________________________________________


WEBSITE
http://danielmartynlewis.com


____________________________________________


If you’re a student, or an amateur, or even a teacher,
I hope you find that this tutorial fascinates you and inspires you.

Do you struggle with playing Bach? Do you love playing Bach on the piano, but find it difficult? In my Bach tutorials I discuss and demonstrate no less than TWENTY POINTS (listed below - take a look) which describe how to solve the technical struggles and interpretive challenges of each featured piece. However this knowledge presented is also designed to assist with playing ANY piece of Bach on the piano.

My aim is to inspire and entertain, and give you the knowledge to help produce emotionally involved, beautiful and technically polished Bach playing.


____________________________________________


FREE SCORE!
https://imslp.org/wiki/Special:ZIPFil...


____________________________________________


Here's the info
THE 20 POINTS are listed in bold.
There's lots more interesting stuff listed here too.

02:08 EMOTIONAL JOURNEY
03:49 Performance excerpt: Capriccio from Partita 2
08:30 Performance excerpt: Concerto D minor
08:51 DANCE ASPECTS
10:07 Performance excerpt: Prelude G from WTC I
10:40 TEMPO
11:35 ARTICULATION
14:10 RESTS
15:05 Performance excerpt: Fugue E from WTC I
17:04 DYNAMICS AND VOICING
22:01 ORNAMENTATION
24:27 RUBATO
25:59 PEDALLING
26:57 HOW TO PRACTISE EFFICIENTLY
27:10 Practising in sections
29:36 GOOD HAND POSITION
30:14 FINGERING
30:24 Performance excerpt: Scarlatti Sonata D minor
30:42 Performance excerpt: Goldberg Variations, Aria
33:36 THE HAND CROSSINGS
33:48 Performance excerpt: Goldberg Variation 16
37:44 PRACTISING THE ORNAMENTS
41:10 EVENNESS Rhythmic evenness
44:24 Tonal evenness
45:45 PLAYING NON-LEGATO
48:14 FREEDOM FROM TENSION
50:12 ACHIEVING SPEED
51:40 PLAYING IN TIME
52:59 MEMORISATION

____________________________________________


  / danielmartyn.lewis  
http://danielmartynlewis.com


____________________________________________



DANIEL MARTYN LEWIS
Daniel Martyn Lewis is a concert pianist and recording artist who has performed internationally to critical acclaim.

http://danielmartynlewis.com


‘…a truly fine musician… it took barely more than one or two acutely-drawn phrases to make it very clear that Mr. Lewis is precisely that sort of an artist… He plays Bach with obvious love and understanding… dexterity and crystalline lucidity… what a pleasure to hear such naturalness; and so little self-aggrandizing affectation! Also such a fine grasp of harmonic tension and linear movement…. [he] kept the spiritual message afloat and, when needed, airborne. ’
New York Concert Review

‘…he riveted the attention with his ability to project the individual lines with crystalline clarity… beautifully sculpted and delicately shaded… his rapid finger work was to marvel at, as was his solemn concentration in the g minor Adagio… an impressive and engaging program, one to which the audience responded warmly. ’
Classics Today, New York

‘ …his affinity with Bach was obvious… Lewis’s grasp of the contrapuntal complexities was evident. He set out the musical ideas with clarity, tracing lines and colouring voices thoughtfully and deliberately, building a solid architectural structure while articulating intricacies of chromatic harmony and rhythm.’
The Guardian, London

Комментарии

Информация по комментариям в разработке