Скачать или смотреть 📅Raag Surdasi Malhar Vocal - Mashkoor Ali Khan Sahib Teaches: Aroh, Avaroh, Pakad, Bandish, & Sargam

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Thaat: Kafi
Aarohi: S R m P N S'
Amrohi: S' n D P---m D P---n D P m R---'N S
Vadi: m
Samvadi: S
Pakard: m R 'N S---S'---n D m P n D P---m R P m D P---m R 'N S
Time: Monsoon Season
Zaat: Audav - Shadav

Raag Surdasi Malhar is a Hindustani classical raga belonging to the Malhar thaat. It is a combination of the Sarang ang and Malhar ang. The ascending scale (aroha) is S R M P N S', and the descending scale (avroha) is S' N D P M R S. The gandhar and dhaivat notes are varjya (avoided) in the ascending scale, and the gandhar note is varjya in the descending scale. The other notes are shuddha (natural).

Raag Surdasi Malhar is a morning raga, and is typically performed during the monsoon season. It is said to evoke feelings of love, longing, and devotion. The raga is known for its sweet and melodious sound and is often used in compositions that describe the beauty of nature, such as the rain and the clouds.

Some of the famous compositions in Raag Surdasi Malhar include:
"Bhairavi Todi" by Amir Khusro
"Malkauns" by Tansen
"Piyenge Piya Tohe" by Surdas
"Radha Madhava" by Swami Haridas
"Krishna Gopala" by Meera Bai

Raag Surdasi Malhar is a complex and challenging raga to learn, but it is also a very rewarding one. It is a beautiful and evocative raga that can be used to express a wide range of emotions.

Here are some additional details about Raag Surdasi Malhar:
The raga is classified as a Uttarang Pradhan raga, which means that the emphasis is on the lower notes.
The raga is said to be derived from the raga Malhar, but it has a more delicate and refined sound.
The raga is often used in light classical genres, such as khayal and thumri.
Some of the talas that are commonly used with Raag Surdasi Malhar are the dadra, ektal, and jhaptaal.

If you are interested in learning more about Raag Surdasi Malhar, I recommend that you consult a qualified Hindustani classical music teacher. They can help you to understand the raga's structure and nuances, and they can also provide you with guidance on how to practice it.

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Intro: (0:00)
Pakard: (0:25)
Bandish: (0:51)
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