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Künstlerisches Genie wiederentdeckt!
Richard Carson Steuart und sein "Clarino Projekt" zu Leipzig.
Artisic Genius Rediscovered!
Richard Carson Steuart and his "Clarino Projekt zu Leipzig".

Deutsch:
Samstag, den 18. November 2017 fand im Historischen Saal des Alten Rathauses zu Leipzig ein 2 1/2 Stündige Gesprächskonzert mit dem kanadischen Trompetenvirtuosen Richard Carson Steuart statt. Der internationale Radio- und TV-Solotrompeten Wettbewerbspreisträger beschäftigt sich seit über 50 Jahren mit den berühmten Trompetenpartien, die Johann Sebastian Bach speziell
für den damaligen Senior-Stadtmusicus und -Rathsmusicus Leipzigs, Johann Gottfried Reiche, komponierte.
Dafür lies Steuart die ursprüngliche und wahre "Bach" ­Trompete, verewigt in dem von
Elias Gottlob Haußmann gemalten Portrait von 1726, genauestens nachbauen.
Seit Anfang 2015 hat er sich intensiv mit dem Instrument beschäftigt und
zum 350. Geburts­jubiläum von Gottfried Reiche glaubt er es tonlich und akustisch nahe zur Perfektion entwickelt zu haben.
Steuart hat mit Unterstützung des Stadtgeschichtlichen Museums Leipzig und
Universitäts Musikinstrument Museum (Grazzi Museum) in einem kostenlosen "Gesprächskonzert" (um u .a. die historische "Bach"-Trompete musikalisch/solistisch vorgeführt und spieltechnisch ausführlich zu erklären und dies genau an dem Ort, wo Johann Gottfried Reiche bis zu seinem plötzlichen Tod 1734 seinen Dienst als Senior Stadt­ und Rathsmusicus Leipzigs absolvierte!

English:
On Saturday, the 18th November 2017, Mr. Steuart held a special Lecture- Concert
in the "Alten Rathauses zu Leipzig" presenting the all new La Tromba Music Productions
"Clarino" Trumpet and demonstrating it's "original" playing technique! He has named this,
his most recent Trumpet "Research and Development" endevor, the "Clarino- Project zu Leipzig" since it honors not only the 350th year of J.S.Bach's Solo-trumpeter
Gottfried Reiche's birth but presents the very instrument that made Reiche famous!
This special 2 1/2 hour event took place in the "Historical City Hall",
the exact location where Reiche actually performed in Leipzig right to
the day of his sudden death, October 6th, 1734!

An accomplished Trumpet Soloist, Instrument and Mouthpiece designer,
International Classical Solo-Trumpet Competition Winner, Broad Spectrum Recording
Artist and over 50 years a University level tracher, Mr. Steuart has since 1968 studied
the works that J.S. Bach specifcally wrote for Leipzig's Senior-Stadtmusicus-Rathsmusicus,
Gottfried Reiche. In 2015 he began a new initative and 2 years of intensive accustical development and countless hours of methodical practise, Steuart sincerely believes he has both "recreated" Reiche's instrument AND most importantly rediscovered Reiche's original playing technique.
Yes! exactly how Reiche was able to perform Johann Sebastian Bach's demanding works on this mysterious and almost forgotten Natural "Coiled-Trumpet"!

Since there are no "original" Clarino Trumpets, as depicted in the world famous Haussmann Portrait in existance, nor any historical construction plans (other than Elias Gottlob Haussmann’s portrait itself) available, Steuart decided to have the instrument built anew, using ONLY the painting itself as his guide and thereafter to take the time to learn how to play Bach's works on this original instrument.
The new La Tromba "Clarino" just as Reiche's original instrument, has no valves, nor keys, nor slides, and most certainly no "intonation-holes" of any kind. Truly the "real deal" here folks! Steuart's aim was to finally find out how Reiche was able to play Bach's works of 300 years ago!
Regarded by the leading Historical Trumpeters and University Professors to be the closest "reconstruction" of this special "original" instrument to date, the all new "La Tromba" Clarino-Trumpet was developed under Mr. Steuart's close direction.

It was completely "hand-made" in Würzburg, Germany by La Tromba Music's most experienced Brass Instrument Engineer, Mr. Heinz Poggensee (now deceased).
Two highly respected Artists and Trumpet Historians from the 1960s and 70s:
Walter Holy of Germany and Donald L. Smithers of the U.S.A., were important
informational sources and true inspirations for Mr. Steuart's "Clarino Project zu Leipzig".
Neither however, ever applied what Steuart believes is the true and authentic "hand reflextion" performance method, which (in coordination with standard tounge and mouth compression techniques) he convincingly demonstrates in this ground-breaking and informative YouTube.
The first of a series of 8 YouTube "excerpts" from this special Concert-Lecture,
we at "La Tromba Music" sincerely hope this will be informative and inspiring for
Professionals AND Students of the Modern Trumpet as well as for enthusiasts of the truly Historical, Authentic Natural-Trumpet!