Скачать или смотреть The Damocles Trio - Joaquín Turina (1882-1949) / Piano Trio No. 1, Op. 35

Joaquín Turina (1882-1949)
Piano Trio No. 1, Op. 35
Sonate

For a number of years Claves Records has dedicated its efforts to the music and memory of Spanish composer Joaquín Turina. During the 90's a colorful series of recordings was made featuring artists such as Maria Bayo, Ricardo Requejo and the Sine Nomine Quartet. And today a young trio from New York will accompany us a bit further on this musical journey through Andalusia with Turina's three piano trios.

The Damocles Trio, Adam Kent (piano), Airi Yoshioka (violin) and Sibylle Johner (cello), has made Spanish music one of its specialties. Knowing that Turina is still relatively unknown among broader audiences, the artists took it upon themselves to provide a detailed commentary for the booklet that accompanies this CD. This recording is rounded off with Turina's Piano Quartet in A Minor, which the trio performs together with Lawrence Dutton, the well known violist from the Emerson Quartet.

http://www.damoclestrio.com
http://www.claves.ch
From the CD 50-2409
EAN: 7619931240923
http://www.claves.ch/collections/damo...)
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Recorded at the Recital Hall, Suny Purchase,
Purchase, New York,
22-23 May 2001 (1-9), 15 October 2002 (10-12)

EXECUTIVE PRODUCER
Antonin Scherrer
RECORDING PRODUCER, MASTERING
Adam Abeshouse
Editing Silas Brown, Adam Abeshouse
Score publishers Union Musical
Editions Salabert, Paris
DESIGN
Amethys,Vevey
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Turina enjoyed early success as both pianist and composer, first in Seville and soon thereafter in Madrid.In 1905 he left for Paris, studying piano with Moriz Moszkowski and composition at the Schola Cantorum with Vincent d'Indy.He would remain in the French capital until shortly before the outbreak of WWI, whereupon he established himself in Madrid.

Turina absorbed a rather conservative musical outlook at the Schola Cantorum, which emphasized an adherence to traditional musical forms and a cyclical approach to large-scale structure.

The latter refers to the recurrent use of thematic material throughout an entire work, often creating connections between diverse movements.These "recycled" musical ideas sometimes appear as literal quotations and other times as transformations of earlier material.

César Franck, Ernest Chausson, Guillaume Lekeu,Vincent d'Indy and a host of other composers of French and Belgian backgrounds employed the technique regularly, as would Turina in most of his large-scale compositions.
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