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Скачать или смотреть Why you choose the wrong key (and how to avoid it).

  • Justin Ostrander
  • 2025-05-27
  • 11726
Why you choose the wrong key (and how to avoid it).
JustinOstrandersessionguymancatplayerprostudioguitaristprofessionalvintageGibsonLes Paulcustomfendertelecaster19551969PAFPAFscleanNashvilleTennesseenobelsodr-1nordlandodr-cKelleyoverdubsessionsvibeambientlessonhow tocoursecoursesbreakthroughplayingpracticeeffectiveunlockdeluxereverbPrinceton53etweedsargeanalog outfitterssoloteachingguitarThrobakgearCody JohnsonpocketfeelrotaryLeslieb3hendrixbigsbyes335es-335theory
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Описание к видео Why you choose the wrong key (and how to avoid it).

People have different way of thinking about what they're playing. Some will say a certain song is in one key, and others will say it's in a different key. For very simple songs, there is often no argument. I want to share how I think of "keys" and why I think my way of thinking is IMMENSELY beneficial in my line of work. Enjoy!

Free practice tracks: https://practice-with-the-pros-jam-tr...

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My main home recording amp, the Marshall JTM Studio: https://sweetwater.sjv.io/Z6qaoz

Favorite acoustic mic: Chandler TG Type L http://sweetwater.sjv.io/kO4XJV

Throbak Overdrive Boost:
https://shop.throbak.com/ODBJO

Throbak 55/56 SB MXV P90s:
https://shop.throbak.com/5556JO

GREAT mics for speaker cabs:
Heil PR30: https://amzn.to/3R3u0Mm
Shure SM57: https://sweetwater.sjv.io/AW5D4N
Sennheiser e609 Silver: https://sweetwater.sjv.io/oqJWrE

Acoustic mics small diaphragm condenser, matched. Miktek C5: https://sweetwater.sjv.io/NkEVZb

Mic cables (mic to pre, pre to interface OR mic to interface):
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20 ft: https://sweetwater.sjv.io/9gq3Kj
50 ft: https://sweetwater.sjv.io/k0AXx3

Audio interface:
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Monitor cables TRS-XLR male
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Monitors:
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If you do want to go ALL OUT, here's my mic pre:
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requisite PSU-1 power supply: https://sweetwater.sjv.io/eKjG9X

==GEAR I use EVERY DAY==
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PolyTune headstock tuner https://sweetwater.sjv.io/k0znKV

D’Addario NYXL 10-46 https://sweetwater.sjv.io/daLXW2
D’Addario NYXL 11-49 https://sweetwater.sjv.io/Nkzdx1
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Dunlop Large glass slide 213 https://sweetwater.sjv.io/k0zndV

Revv Shawn Tubbs Tilt Overdrive https://sweetwater.sjv.io/0ZmraE
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Line6 HX Effects https://sweetwater.sjv.io/g1DznX
Eventide H9 MAX https://sweetwater.sjv.io/EK9n6D
Strymon Mobius Modulation https://sweetwater.sjv.io/75yAg5
Strymon Timeline delay https://sweetwater.sjv.io/LXnvk0
Meris Mercury7 Reverb https://sweetwater.sjv.io/q4ARdg
Meris Polymoon Delay https://sweetwater.sjv.io/rQGvdD

Revv D20 https://sweetwater.sjv.io/6eAaLQ
UA OX Amp Top Box https://sweetwater.sjv.io/vNyLk3
Blackstar HT Stage 100 Mk III https://sweetwater.sjv.io/k0JbJd

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0:00 Welcome, let’s settle this debate once and for all
2:24 What key is this in, and WHY?
3:18 Let’s just dive right into the controversy
5:34 Can a different MELODY change the key?
7:09 A lot of you are thinking MODES!
9:22 I’d get two different songs if I did this
11:17 This is exactly WHY I don’t use modes
12:50 EXAMPLE: same melody, different chords
15:35 Some of you would argue that we changed keys
17:59 Use your ears, not the circle of fifths (or fourths)
20:25 It’s much harder to listen for melodies when you’re thinking modes
22:26 Fire away in the comments
Thanks for watching, and please SUBSCRIBE

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