Street Photography Canon G11 Digital Camera Canon Color science and zoom lens Photo Class 178

Canon G11 10mp Street Photography Digital Camera. My go to camera for walking to work
2009 introduction.
Canon gorgeous color science.
Only 400 grams / 14 ounces.
1/1.7-inch sensor.
Image stabilization.
28-135mm lens (eqiv)
18-inch min focus distance.
Zoom activated Optical viewfinder.
Built in Fill Flash.
Hot shoe.
SD card slot.
1/4000 second fast shutter.
10 glorious mega pixels. (FYI the Leica D-lux4 has 10 mp)
80-3200 ISO range.
Shoot JPEG and RAW.
eBay used Price $90. (as of October 24, 2022)


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The following is a Rebecca West Quote.
"Any authentic work of art, must start an argument, between the artist and his audience."
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"Photographic art overlaps with the landscape, portraiture, and other photography types. It is defined by the artist's vision and approach to get distinct photographs. Unlike other forms of photography, fine art photography is about capturing what the artist sees instead of what the camera sees. It is just another tool for artists to produce their art."
(Quote from N.F. I. The Nashville Film Institute)


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Street photography is to isolate and capture moments which might otherwise go unnoticed. (Britanica)

People have an emotional response to images,
fine art photography, also known as “photography art,” or “artistic photography” is photographic artwork created in line with the artist's vision. Fine artists use photography as their chosen medium for creative expression
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10.0 Megapixel CCD sensor
The PowerShot G series has represented a fairly formidable presence at the top of the compact camera tree. From a keen photographer point-of-view, there's little on the market that can match its mixture of zoom range, lens flexibility, build quality and level of manual control. Somehow Ricoh's GX and Nikon's P series have never quite had the same impact but Panasonic's LX3 has been enough to tempt some potential customers away, with its bright lens and convincing (for a compact) low-light performance.

The G11 seems determined to wrestle back its position as undisputed champion of the market, though, incorporating what Canon describes as a 'high sensitivity' CCD. In what might be a first, the company has reduced the pixel count in comparison to the preceding model. In principle, there is no disadvantage to having more pixels when you consider the whole image (other than the larger file sizes that might slow down the camera and fill your memory card faster and the added complication of having to apply noise reduction before demos icing, which is not something many people are willing or able to do). However, the often-larger photo sites of a less pixel-dense sensor will tend to receive more light, in the same exposure, making it easier to produce an image that looks cleaner at the pixel level. Almost as if Canon wants its flagship compact to be a handy all-rounder.
5x wide-angle (28-140mm equivalent) zoom lens with optical image stabilizer
2.8” tilt/swivel LCD (461k dot resolution)
RAW image recording
Claimed 2-stop advantage in low light compared to G10
Dedicated Exposure Compensation and ISO dials
DIGIC 4 processor
i-Contrast boosts brightness and retains detail in dark areas
26 shooting modes with manual control and custom settings
Accessories include tele-converter, Speedlights flashes and waterproof case
VGA movies, 30fps
The body style dates back to the G7, which upset many existing G-series owners by omitting several features they'd become used to. Those missing features have, one-by-one, been re-included as the range has developed, leading us to the G11, which finally regains the fold-out, swivel display that went missing after the G6. There's no denying it's a well featured camera and one with styling that appeals to many photographers.

However, since the G10 arrived, Olympus and Panasonic have released their Micro Four Thirds compact interchangeable lens cameras, the E-P1, E-P2 and GF1, the Powershot G series has looked like a less obvious choice. The Panasonic GF1 for instance, is no larger than the G11 and offers a similar level of external control (albeit without the nice retro metal dials), but is built around a sensor with more than five-and-a-half times the surface area. So although the GF1 and Olympuses can't compete with the G11's 28-140mm equivalent lens range (at least, not while remaining as compact packages), they are likely to offer greater image quality and control over depth of field than the small sensored Canon can.