Pink Floyd Animals: Remix vs. British 1st Pressing vs. Remaster

In this video, we're taking a look at the difference between the remix vs. the British 1st pressing vs. the remaster of Pink Floyd's Animals.

If you're a lover of Floyd's Animals and want to know the difference between the various versions of the album, then this video is for you! We'll take a look at the differences between the remix, the British 1st pressing, and the remaster, and see which one is the best version of the album.




Animals is the tenth studio album by the English rock band Pink Floyd, released on 21 January 1977[2] through Harvest and Columbia Records. It was self-produced at Pink Floyd's Britannia Row Studios in London throughout 1976. The album continued the longform compositions that made up their previous works, including Wish You Were Here (1975).

Animals is both a progressive rock album and a concept album, focusing on the social-political conditions of mid-1970s Britain, and was a change from the style of Pink Floyd's work. Tension within the band during production culminated in keyboardist Richard Wright being fired two years later. The album's cover shows an inflatable pig floating between two chimneys of the Battersea Power Station, conceived by the band's bassist and lead songwriter Roger Waters, and was designed by long-time collaborator Storm Thorgerson.

Pink Floyd released no singles from Animals but promoted it through the In the Flesh tour. Waters' agitation with audiences during this tour inspired their next album, The Wall (1979). Animals reached number 2 in the UK and number 3 in the US. It initially received mixed reviews, but received much more favourable reviews in later years and is considered by many as one of the band's best works.

In 1975, Pink Floyd bought a three-storey block of church halls at 35 Britannia Row in Islington, north London. Their deal with Harvest Records' parent company EMI for unlimited studio time in return for a reduced percentage of sales had expired, and they converted the building into a recording studio and storage facility. Its construction took up most of 1975, and in April 1976 the band started work on their tenth studio album, Animals, at the new facility.[3][4]

Animals was engineered by a previous Floyd collaborator, Brian Humphries,[3] and recording took place at Britannia Row from April to December 1976, continuing into early 1977.[5] "Raving and Drooling" and "You've Got to Be Crazy", two songs previously performed live and considered for Wish You Were Here, reappeared as "Sheep" and "Dogs" respectively.[3] They were reworked to fit the new concept, and separated by a Waters-penned composition, "Pigs (Three Different Ones)". The only other new composition, "Pigs On The Wing" (split into two parts to start and end the album), contains references to Waters' private life; his new romantic interest was Carolyne Anne Christie (then still married to Rock Scully, manager of the Grateful Dead).[6] With the exception of "Dogs" (co-written by David Gilmour) the album's five tracks were written by Waters. Gilmour was distracted by the birth of his first child, and contributed little else towards the songwriting of the album. Similarly, neither Mason nor Wright contributed as much as they had on previous albums, and Animals was the first Pink Floyd album not to contain a composer's credit for Wright.[7]

The band had discussed employing another guitarist for future tours, and Snowy White was therefore invited into the studio. When Waters and Mason inadvertently erased one of Gilmour's completed guitar solos, White was asked to record a solo on "Pigs on the Wing". Although his performance was omitted from the vinyl release, it was included on the 8-track cartridge version. White later performed on the Animals tour.[3] Mason recalled that he enjoyed working on Animals more than he had on Wish You Were Here.[8]