Скачать или смотреть Bass Drum Pedal Conversion for Cocktail Setup | Season Four, Episode 23

Last week we demonstrated a different approach to the cocktail bass drum concept. In Part 2, we’ll take you through the process of converting a bass drum pedal to work with this setup in a step-by-step format. The best part? This didn’t cost any money at all and it feels fantastic.

PATREON:
This season is made possible by our Patreon supporters. Join us on Patreon for access exclusive content such as Cymbal Sounds, our long awaited cymbal series, and MUCH more: http://sladl.ink/Patreon

PRODUCTION PARTNERS:
GIK Acoustics (sonic treatment): https://sladl.ink/GIK
AKG Audio (microphones): https://sladl.ink/AKG
Evans Drumheads: https://sladl.ink/EvansDrumheads
ProMark Drumsticks: https://sladl.ink/ProMarkDrumsticks

Signal chain:
Mics - Focusrite Clarett 8Pre USB & OctoPre - MacPro w/Pro Tools 12.8
Recorded at 48kHz / 24bit
Overheads: (Matched Pair in Glyn Johns - Cardioid) AKG C314 https://sladl.ink/C314Pair
Snare: AKG C518M http://sladl.ink/C518M
Floor Tom/Kick Drum: AKG C518M & AKG D112 https://sladl.ink/D112mkII
No EQ or compression in use with drum demos unless otherwise noted

Acoustic Treatment:
GIK 242 Acoustic Panels: https://sladl.ink/GIK242
GIK 4A Alpha Pro Series Diffusor/Absorber: https://sladl.ink/GIK4aAlphaPro
GIK Evolution PolyFusor Combination Sound Diffuser/Absorber: https://sladl.ink/GIKEvolutionPolyFusor
GIK Tri-Trap Corner Bass Trap: https://sladl.ink/GIKTriTrap

Drums:
GMS 16” floor tom

Cymbals:
14” Jesse Simpson Old K clone hihats, 12” prototype closed hats, 22” Jesse Simpson custom ride

Drumheads:
Snare: Evans G1 Coated / Snare Side 300
Floor Tom/Kick Drum: Evans UV EMAD / UV EMAD

Hosted by: Cody Rahn
Production & Consulting: Ben O'Brien Smith @ Cadence Independent Media

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