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The HX Stomp™ amp and effects processor may be used as a “super stompbox,” a backup or travel rig, an add-on tone expander with other modelers, an audio interface—or a complete guitar or bass rig. Although compact in size, it delivers the same professional-grade sound quality and authentic HX® Modeling found in our market-leading Helix® processors.
Amp Models:
- Ampeg B-15NF Based on: Ampeg® B-15NF Portaflex®
If we had to sum up the amp's sound up in one sentence, we would simply say: Listen to James Jamerson's bass playing on the Motown®/Tamala records of the 1960's — The Supremes, The Four Tops, The Temptations, Marvin Gaye, Stevie Wonder, and many more. Jamerson played bass on more Motown hits than anyone else, and his choice for amplification was the Ampeg® B-15.
- Ampeg SVT Nrm Based on: Ampeg® SVT®
For 30 years now, we've heard the tone and felt the power of the mighty Ampeg® SVT® that model is based on. This workhorse has appeared on innumerable recordings and arena stages worldwide – there is no equal to the original SVT® of pure tube magic.
Notable Users: Its users have included everyone from The Rolling Stones to Van Halen.
- Ampeg SVT-4 PRO Based on: Ampeg® SVT-4 Pro
SVT-4 PRO offers an expansive palette of tonal options. The Frequency control allows you to select the center frequency for the Midrange control, giving you five distinct voicing options for the Midrange. And if that’s not enough, you can use the 9-Band Graphic EQ to fine-tune your sound—or use it to set up a footswitchable “second channel” with a volume boost for your bass solo.
- Woody Blue Based on: Acoustic® 360
Larry Graham himself used these towering stacks for the thumb, the stank and the funk. Led Zeppelin's virtuosic bassist John Paul Jones had to keep up with Jimmy Page, for the love of Pete, and with the Acoustic 360. Jaco Pastorius saved all his money (legend has it, sleeping on the beach when his bandmates on the road slept in hotel beds) and eventually purchased an Acoustic 360, which gave Jaco's fretless J-bass that instantly-recognizable bump in the upper-mids that provided him bassdom's most enduring, original voice.
- Agua 51 Based on: Aguilar® DB751
The Aguilar DB® 751 combines the legendary tube-driven tone of the DB® 750 with greater EQ control. A perfect combination of raw power and excellent tone, the DB® 751 continues the legacy set by the world famous DB® 750. Delivering 975 Watts at 2 ohms and 750 Watts at 4 ohms, this amp has the headroom you need to play any size venue.
- Cali Bass Based on: MESA/Boogie® M9 Carbine
- Cali 400 Ch1 Based on: MESA/Boogie® Bass 400+
- G Cougar 800 Based on: Gallien-Krueger® GK 800RB
Designed 20 years ago, the 800RB has long been a standard of the industry—the choice of countless bass players, touring bands, and backline companies. The amplifier head delivers 400W of biamp power in a rackmountable metal case, 3 voicing filters. Great deep, punchy sound. Roadworthy and studio friendly.
Notable Users: Geddy Lee had one. Will Lee used one on "Late Night With David Letterman". And bands like Def Leppard powered through a decade of pop metal with the 800RB.
- Del Sol 300 Based on: Sunn® Coliseum 300
It's got a great strong tone, and the eq is extremely flexible and powerful.There are filters "in between" each band of the EQ, so they don't effect each other. You can boost the 62.5hz, and not effect the 125hz, so on. Which is the exact opposite of say, the Fender tone stack, where you turn down the mids to turn up the other stuff.
- Busy One Based on: Pearce BC-1
Very Rare Preamp made famous by Billy Sheehan. The Pearce Pre-amp is just a supremely great distortion and clean. This pre amp is solid state. It has 2 channels, which can be used separately or coupled, w/ built in distortion. It has a -10dB/0dB/+10dB switch (pretty cool if you need less or more punch without having to change your settings all the time). Each channel has a gain – bass – mid range – mid – treble – volume controls and built in compressor/limiter with adjustable threshold. Each channel can be used separately, or combine them to create a wide range of tones.
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