WATCH Brother Dege "Too Old To Die Young" from Django Unchained

"Too Old To Die Young" is featured now on the Original Motion Picture Soundtrack of Quentin Tarantino's Django Unchained, which was nominated for a Grammy Award for Best Compilation Soundtrack for Visual Media.

This video is a special indieATL From The Vault release from Brother Dege's 2010 Session.

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indieATL (indie Atlanta) showcases a broad range of independent music from the Atlanta scene as well as other artists around the world.

indieATL Sessions is produced by Matt Rowles with the extraordinary efforts of the students at Georgia State University's College of the Arts
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"Brother Dege (AKA Dege Legg) is one of the best kept secrets in the Deep South; a musician, writer, workingman and heir to a long line of unusual characters born and raised in the southern U.S. Like the mad lovechild of Son House and Faulkner, Legg has burned a crooked trail to the Promised Land. Avoiding traditional career paths, he has spent as much time exploring the backwoods weirdness of his home state as he has forging his own brand of incendiary, "psyouthern" roots music. The journeys are parallel. Since the late 90s, Dege has pushed slide, resonators, and the deep south, kicking and screaming into the 21st century, melding elements of folk, Delta blues, punk, rock, metal, hippie ragas, and outlaw county into one blasted, raw whole.

Full of raging, dirt-earth pounding slabs of swamp heat, haunted redemption, and bell towers of experimentation, Brother Dege's album Folk Songs of the American Longhair is a tour de force artwork that rages from barn burners to ancient Delta meditations to whirlwind slide-loop hurricances. Like the Delta masters, it is emotion-packed, imperfect, flawed, desperate, yet insanely alive and vibrating with an X-variable hidden deep in our human core. Recorded in a shed behind his house in Louisiana, Legg composed the ten original tunes in the slide-Delta tradition, painstakingly paying tribute to the old masters while tossing faux-retro, hillbilly hokum into the trend hopping dust bin that it belongs. Much like the field recordings of Alan Lomax, the album tunnels into the ancient mysteries of pre-war blues and its devil-obsessed masters. In a return to the crude basics, almost all of the tracks feature only one vocal, one slide guitar and one foot stomping. Folk Songs of the American Longhair could possibly be the Delta-slide, millennial reboot for generations to come.

The journey continues..." http://degelegg.com/

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indieATL Crew is:
Associate Producer: Chris Escobar
Coordinating Producer: Kristy Breneman
Segment Producer: Matthew Mammola
Post-Production Supervisor: Ben Gardner
Camera Operators: Micah Stansell, Jeff Engleson, Steven Swigart, Chris Escobar, Matt Rowles
Audio Recording: Matt Rowles
Audio Mixing: Matt Rowles
Video Editing: Ben Gardner