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THE PLAY

In The Hunchback Variations, noted composer Ludwig Van Beethoven and noted hunchback Quasimodo team up to chair a panel on sound design. More specifically they are explaining their fruitless efforts to create the impossible cue: that baffling sound effect described at the end of Anton Chekhov’s The Cherry Orchard. The panel follows the pair’s frustrated efforts, complicated by the fact that they are both quite deaf.

Thematically, the play explores the creative impulse and the question of artistic endeavor. Is it a noble thing to continue to try in the face of inevitable failure or is it better to simply remain silent?

THE PLAYWRIGHT
MICKLE MAHER is a cofounder of Chicago’s Theater Oobleck and the author of numerous plays, including An Apology for the Course and Outcome of Certain Events Delivered by Doctor John Faustus on This His Final Evening, and The Hunchback Variations. Recent plays include The Strangerer, Spirits to Enforce (Theater Oobleck),Cyrano (translator) and The Cabinet (Redmoon Theater), and Lady Madeline (Steppenwolf). His plays have appeared Off-Broadway and in numerous theaters around the world. He is published by Hope and Nonthings. He has been the recipient of a Creative Capital grant (for The Strangerer) and, recently, an NEA grant to develop his Hunchback Variations into an opera. He currently teaches at the University of Chicago.