In this electrifying solo performance, Chandan Kumar Thakur, senior Tabla artist and faculty member at Ikigai Schools, delivers a masterful presentation of Taal Teentaal rooted in the Punjab Gharana’s Angusthan (playing technique). The performance is a stunning combination of precision, flair, and deep-rooted traditional knowledge — offering audiences a rare glimpse into the richness of the Punjab Gharana’s approach to Tabla playing.
Taal Teentaal, a 16-beat cycle that serves as the foundation for countless compositions in Hindustani classical music, becomes a living, breathing entity in Chandan's hands. His interpretation of this taal isn’t just a demonstration of rhythm, but a conversation — between hand and surface, between tradition and innovation, between artist and audience.
From the opening Peshkar, Chandan sets a commanding tone. His strokes are deliberate yet fluid, each bol ringing with clarity and intention. What follows is an evolving tapestry of Kaidas, Relas, Gat-Parans, and Tukras, all meticulously crafted and executed with an elegance that speaks to years of rigorous training and performance experience.
Particularly notable is his use of Angusthan — the characteristic hand position and pressure technique used in the Punjab style. Unlike the more compact styles of other Gharanas, the Punjab Gharana emphasizes openness, volume, and a majestic presence. Chandan’s playing fully embraces this, creating soundscapes that are bold, resonant, and emotionally charged.
In the Kaida section, we see a precise layering of mathematical intricacy and artistic phrasing. The transitions are seamless, and every phrase builds upon the last with increasing complexity. Yet, even in these challenging rhythmic mazes, Chandan never sacrifices tone or mood. His hands speak with both discipline and joy, creating an almost meditative rhythm that draws the listener in.
The Gat and Paran compositions bring forth the traditional vocabulary of the Punjab Gharana — bold, emphatic, and often narrative in nature. These pieces often carry a story in their rhythm, and Chandan delivers them with both technical command and emotional resonance. You hear not just the sound of the tabla, but the echo of centuries-old traditions.
By the time the performance reaches the Tihai — the final rhythmic cadence — there is a sense of culmination, not just of sound, but of experience. The audience isn’t just witnessing a performance; they are taken through a journey of rhythm, from its softest whispers to its thunderous climaxes.
About the Artist:
Chandan Kumar Thakur is a senior percussionist with decades of training under renowned Gurus and a committed educator at Ikigai Schools. His deep-rooted understanding of rhythm, especially within the framework of the Punjab Gharana, sets him apart as both a performer and teacher. He brings traditional authenticity while keeping the performance dynamic and relevant to modern audiences.
At Ikigai Schools, Chandan mentors young and seasoned percussionists alike, helping them not just learn compositions, but understand rhythm as a language — nuanced, expressive, and transformative. His classes reflect the same balance of technique and soul seen in his performances.
About Ikigai Schools:
Ikigai Schools is dedicated to arts-based learning that is rooted in tradition but designed for the modern learner. Our programs in Hindustani Classical Music, Western Music, Theatre, and Movement Arts are taught by experienced mentors who bring passion, knowledge, and care to every class. With centers in Patel Nagar and Noida, Ikigai offers a nurturing environment where creativity meets discipline.
If you're interested in learning Tabla, Rhythm Theory, or other forms of Indian percussion, trial classes with Chandan Kumar Thakur are available. Whether you're a curious beginner or an advanced player seeking refinement, there’s space here for your journey.
📍 Locations:
Patel Nagar
📞 9220339929 | 📱 WhatsApp: 9555666133
Noida
📞 9220339992 | 📱 WhatsApp: 9220553320
📞 Registered Office: +91 11 36857639
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