Vikramaditya Motwane, Rohan Kanawade, Nagraj Manjule, Nikkhil Advani & Sai Tamhankar come together to talk about Sabar Bonda, the challenges of indie filmmaking, the surprising SUCCESS of Saiyaara, and the struggles faced by small-budget films in the Indian film industry. From festival acclaim to distribution hurdles, the team shares raw, honest insights about protecting a filmmaker’s vision, ownership, and the future of cinema.
00:00- Introduction
1:45 - Rohan Kanawade opens up about the process ans his struggles of making ‘Sabar Bonda’
3: 50 - Rohan Kanawade opens up about how different artists like Jim Sarbh , Rana Daggubati and others came on board to support this film before their premiere at Sundance Film Festival
6: 20 - Vikramaditya Motwane explains how small-budget indie-films that receive global acclaim at the international film festivals still stuggle to release in the Indian markets
8 : 15 - Nagraj Manjule opens up about the struggles and difficulties on releasing good small-budget films in our country
8:45 - Nagraj Manjule : Due to Hindi films , many Marathi films don’t get enough theatres
10:00 - Nikkhil : Why did ‘Saiyaara’ get more screens ? Once the film started working , the distributors increased their screens
11:50 - Nikkhil : The film has to be made by protecting the filmmaker’s voice . As producers , we can only amplify it
14:05 - Sai Tamhankar on coming on board as an executive producer for ‘Sabar Bonda’
15:50 - Rohan : When I started making ‘Sabar Bonda’ , I knew that I would have issues in executing my vision . To protect my vision , it was a big challenge
16:30 - Rohan : Nagraj Sir had told me that he faced many difficulties while making ‘Sairat’ and they told him that no one will watch his movie
19:40 - Rohan : My father was a driver who never completed his education and my mother never went to a school . But they still accepted me when I came out to them as a gay man
22:50 - Nikkhil : Ask any film-maker who tried to make movies with different subjects and they all were told that their movies won’t work
23: 30 - Nagraj : When I made ‘Fandry’ , they said ,’ Yeh Kya naam hai ? Pig pe koi film banana hai kya ?
27:50 - Vikramaditya Motwane explains why he slammed the team of the AI generated film ‘Chiranjeevi Hanuman – The Eternal’ and how it impacts the film industry
30 - Vikramaditya Motwane reacts to how Aanand L Raj’s ‘Raanjhanaa’ was released with an already ending , made with AI
30:15 - Vikramaditya : Makers need to have ownership do their projects . Right now some studios who have invested money in your film, behave like they have bought you . That’s not how it works
31:15 - Nikkhil Advani talks about the importance of film-makers and writers having ownership of their projects and profits being shared with them
34:20 - Nikkhil : If you are working big commercial films , you have to realise that it’s no longer only your vision and there are my factors involved
35:00 - Nikkhil : When a big star is involved , exorbitant amount of money is spent on him . The star’s argument has always been that I am bringing in the audience , so I deserve that .
36:50 - Nikkhil : If you want to protect your vision , produce your film
37:40 - Nikkhil : When I was making ‘Airlift’ , I was doing ‘D-Day’ with Irrfan. Raja Menon wanted to work with Irrfan for ‘Airlift’ .But after Irrfan heard the script , he said,’You will not get the money to make this film . You need a bigger actor’ . He asked us to go to Akshay
#vikramadityamotwane #nikkhiladvani #sabarbonda #bollywood #zoom #entertainment
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