Figured Bass Realization Walkthrough | ABRSM Grade 6 Music Theory

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Figured Bass Walkthrough

Watch me complete an ABRSM grade 6 music theory question 2, figured bass realisation.

Work out the key and pencil in the chord notes before you start.

Then start with the complete soprano part, because it needs to be tuneful. Don't forget the following rules: Move mostly by step, avoid large intervals and never use augmented or diminished intervals. Watch out for parallel (consecutive) 5ths and octaves, as well as hidden (exposed) 5ths and octaves. Don't double the leading note.

Next put in the alto and tenor parts. Keep the spacing with wider gaps between the lower two parts. Within each part, use a repeated note where you can or move to the nearest note. Aim to write complete triads and make sure you double an allowed note. Never omit the root or 3rd of the chord. Check for 5ths/8ves as you go along.

With each note you write, consider what is coming next and base your selection on the best-possible outcome.

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