Скачать или смотреть A Peek into Nawazuddin Siddiqui’s Theatrical Bungalow | Spill The Tea

In this interview with Sneha Menon Desai, Nawazuddin Siddiqui discusses his enduring love for theatre and how his home reflects his personality. He shares that his daughter is learning acting and how she prefers not to seek his advice. He further candidly admits to scenes in his filmography that he dislikes. He talks about how, despite the industry's challenges, he navigates the "big bad world" by staying grounded and maintaining his integrity, emphasising the importance of keeping a balanced perspective in both his personal and professional life.

#NawazuddinSiddiqui #RautuKaRaaz

00:00 - Spilling The Tea with Nawazuddin Siddiqui
01:55 - When did Nawaz make this house? And how did he create it?
06:05 - Falling into the trap of “Apun Ich Bhagwan Hai”
07:52 - Nawaz’s personalised book recommendations
08:48 - Can acting be taught and learnt?
09:53 - How does he do it every single time?
12:45 - “Bohut tezz aur bahut ajeeb”
13:39 - Trusting easily what people show
14:47 - Being hopeless from Bollywood
17:27 - Good people missing out on opportunities
18:36 - Most peaceful part of Nawaz’s house
22:21 - An actor becoming a caricature of his own self
24:11 - Doing a good scene
25:07 - Nawaz’s favourite scene of himself
26:44 - Going back to his hometown
28:16 - Nawaz’s daughter taking over his Instagram account
31:08 - Does he teach her acting?
31:56 - Dedicating half of his life to acting, and the losses dealt with on the way
33:13 - Three of films of his he hopes the new generation sees
35:04 - Getting frustrated with lazy acting

Have you subscribed to Film Companion yet? Join us here -
http://bit.ly/FCsubscribe

Follow Us On:
  / filmcompanion  
  / filmcompanion  
  / filmcompanion  

About The Channel:
The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays, and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism, and review of cinema and towards such purpose, the programs use short extracts of cinematograph films, sound recording, and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the complete work by the owners of the copyright. The use of works is in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we assert our use of the works under the exception provided for criticism and review.