Скачать или смотреть Tagore in Morning Ragas- Bibhas Baul Vol 1 II Rabindra Sangeet

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Songs of Rabindranath Tagore

♦️ বিভাস-বাউল রাগে রবীন্দ্রনাথের গান ♦️
༝ ┉┉┉┉┉┉┉┉┉┉┉ ༝


˚*❋ Track List ❋*˚

1. Ami Kan Pete Roi ▶️ 00:00​​​​
Artiste: Adity Mohsin
Parjaay: Puja
Upa-parjaay: Baul
Taal: Dadra
Raag: Bibhas-Baul
Anga: Baul
Written on: 1922
Swarabitan: 15 (Nabageetika 2)
Notation by: Dinendranath Tagore

┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉
Aami kaan pete roi o aamar aapon hridayogahono dwaare baare baare
Kon gopanbaasir kaannahaasir gopan katha shunibare - baare baare.
Bhromor setha hoy bibagi nibhrito nil paddo laagi re,
Kon raater paakhi gaay ekaaki songibihin andhokare baare baare.
Ke se mor kei baa jaane kichu taar dekhi aabha.
Kichhu paai onumaane kichhu taar bujhi naa baa.
Maajhe maajhe taar baarota aamar bhaasay paay ki kaotha re,
O se aamay jaani paatthay baani gaaner taane lukiye taare baare baare.
┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉


2. Megher Kole Rod ▶️ 04:32​​​​
Artiste: Azizur Rahman Tuhin
Parjaay: Prakriti
Upa-parjaay: Sharat
Taal: Dadra
Raag: Bibhas-Baul
Anga: Baul
Written on: 1908
Swarabitan: 50 (Shephali)
Notation by: Dinendranath Tagore

Notes: The style does not correspond to Baul Style, according to Shantidev Ghosh.

The tradition of dance associated with songs was slowly introduced in the year 1908, when Sharodotsav was staged. Amita Sen, daughter of Kshitimohan Sen, has written in her book, 'Nritya-rachonay Rabindranath' -

The rehearsal for 'Sharodotsav' had started on the first floor of the building known as 'Dwarika'. Not only the songs, Din-da used to teach us the dance movements too. Then Rabindranath would appear in person and sing with us in a lively manner. In order to liven up expressions like -

Keyapaatar nouko gore

Saajiye debo phule

Taal-dighite bhaasiye deb

Cholbe dule dule.

he used to put his hands together to look like a boat, then as of holding the boat with the left hand and tenderly place imaginary flowers to decorate it, and finally holding the boat with both hands - rocking them sidewise to show wagging movement of the boat. He sang - Cholbe dule dule. In this way we have slowly learnt exclusive dance movements. ... We used to imitate motions of a Baul, not that each movement of the group must be synchronized, it was purely dancing merrily. Often the poet used to join us and enjoy.

┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉
Megher kole rod hesechhe, baadol gechhe tuti. Aaha, haha, haa.
Aaj aamader chhuti o bhaai, aaj aamader chuti. Aaha, haha, haa.
Ki kori aaj bhebe na paai, path haariye kon bone jaai,
Kon maatthe je chhute berai sakol chhele juti. Aaha, haha, haa.
Keya paatar nouka gore saajiye debo phule -
Taaldighite bhaasie debo, cholbe dule dule.
Raakhal chheler sange dhenu charabo aaj baajiye benu,
Maakhbo gaaye phuler renu chnaapar bone luti. Aaha, haha, haa.
┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉


3. Nayan Mele Dekhi Amay ▶️ 08:19​​​​
Artiste: Iffat Ara Dewan
Parjaay: Prem
Upa-parjaay: Prem-Boichitra
Taal: Ektaal
Raag: Bibhas-Baul
Anga: Baul
Written on: 1909
Collection: Prayashchitta
Swarabitan: 9
Notation by: Surendranath Bandopadhyay

┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉
Nayon mele dekhi aamay bnaadhon bnedhechhe.
Gopane ke emon kore e phnaad phnedechhe.
Basontorajonisheshe biday nite gelem hese -
Jaabar belay bnodhu aamay knadiye knedechhe.
┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉┉



Bengal Foundation has been promoting Bengali music for decades in order to nurture and uphold the musical traditions of Bengal. The Foundation releases a wide selection of Bengali albums to the public, conducts workshops, and well as create opportunities to train under distinguished musicians at the Bengal Parampara Sangeetalay. Bengal Foundation’s music programme also frequently organises a number of large scale music events which include the Bengal Classical Music Festival.
Bengal Foundation’s music programme aims to pave the way for better appreciation and understanding of the fundamentals of music; as well as to energise, influence and promote the music industry of Bangladesh.


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