The Windmiller Preamp demo + concert I Aclam Guitars

Hi! Here we are again Marcel and Marc in this new episode of Forgotten artifacts to show you the differences and similarities between the Preamp 636 used by Pete townshend, guitarist of The Who and the new Windmiller preamp by Aclam as well as all the features of this new preamp. Are you ready?

GEAR USED:

-1963 Fender Stratocaster
1972 Gibson Les Paul Deluxe
Marshall JTM45 Reissue w/KT66’s – Marshall 4x12B Cabinet w/ Celestion Greenbacks

CONTROLS:

1. BYPASS SWITCH: Engages the unit allowing the signal to flow through The Windmiller Preamp circuit. It also lights up the LED above it.

2. GAIN: This control lets you set the amount of signal boost of the instrument you plug into it. At counterclockwise position will increase around 3dB’s (depending on the settings of the Lo. Cut and Hi. Cut knobs) compared to the bypassed signal. As you start to turn the Gain up, it’ll build up more volume just like a regular preamp or booster.

3. OVERLOAD LIGHT: We felt we needed to pay tribute to the vintage Grampian 636 by including the Overload indicator light! The higher the gain and the harder you play, the brighter it will glow as it reacts with the signal dynamics.

4. LO.CUT: When it is fully counterclockwise it will reproduce the entire bass frequency spectrum (like the vintage Grampian 636) and as you start turning it clockwise, low frequencies will drop. This control is meant to be a fine tune, so it doesn’t have a drastic effect like many eq’s found on other pedals or amps.

5. HI.CUT: We made The Windmiller Preamp brighter than the 636 and included this Hi. Cut control so it is more versatile with any kind of guitar and pickup. Fully counterclockwise is the brightest position, ideal for darker pickups and as you move the knob it will remove highs until the fully clockwise position where it is enough to tame the brightest pickup.

Learn more at: https://www.aclamguitars.com/thewindm...


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