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Скачать или смотреть Charles Wesley Jr. (1757-1834) - Quartetto (VI) for two Violins, a Tenor and Violoncello (1778)

  • Pau NG
  • 2022-12-12
  • 1632
Charles Wesley Jr. (1757-1834) - Quartetto (VI) for two Violins, a Tenor and Violoncello (1778)
Charles Wesley Jr.musicmúsicaclassicalclásicoartbarrocobaroqueinstrumentscomposersviolinBaroque Music (Musical Genre)Classical Music (Musical Genre)classical musicwesleylondonenglish
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Описание к видео Charles Wesley Jr. (1757-1834) - Quartetto (VI) for two Violins, a Tenor and Violoncello (1778)

Happy birthday Charles Wesley! 🎻🎁

Composer: Charles Wesley Jr. (1757-1834)
Work: Quartetto (VI) for two Violins, a Tenor and Violoncello (1778)
Performers: Stеvе's Bеdroom Band

Drawing: Edward Villiers Rippingille (1798-1859) - An inn at Bristol people having breakfast before taking the stage coach (1824)
HD image: https://flic.kr/p/2o5iKrR

Further info: https://imslp.org/wiki/Category:Wesle...
Listen free: http://vmirror.imslp.org/files/imglnk...

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Charles Wesley Jr.
(Bristol, 11 December 1757 - London, 23 May 1834)

English organist and composer. He was the elder son of Charles Wesley (1707-1788) and brother of Samuel Wesley (1766-1837). He inherited musical ability from both parents. In infancy he displayed a talent almost without parallel: before he was three years old he could ‘play a tune on the harpsichord readily and in just time’ and ‘always put a true bass to it’. His later development hardly fulfilled this promise. During his childhood and adolescence his father discouraged him from becoming a professional musician, and would not let him take up an appointment as chorister or (later) organist at the Chapel Royal. But under Joseph Kelway he became an excellent organist, and held appointments at several dissenting chapels, the Lock Hospital Chapel (1797-1801) and finally St Marylebone parish church. He learnt composition chiefly from William Boyce, to whom he dedicated his set of string quartets. His brother Samuel called him an ‘obstinate Handelian’ and indeed his compositions, especially those for organ and piano, are extremely conservative in style. In 1822 he published a revised edition of John Wesley's Sacred Harmony.

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