Superimposition arpeggio combinations

Here is an idea inspired by great jazz guitarists as Wes Montgomery ,George Benson on how to superimpose almost all the chord family degrees. This concept helps mapping the arpeggio combinations and listen different coloursounds above root ,subdominant or dominant families and after mastering all these try to make your own jazz lines and licks.

mix and editing by Alexandros Detsis at St Lavras studio
Sound Gear: Gibson es 345, fender deluxe reverb, performaxe
cameras : nikon z6

0:00 Intro
0:27 Am7 Cmaj7 fast
0:52 Am7 cmaj7 slow
1:21 Em7 cmaj7 fast
1:49 Em7 cmaj7 slow
2:23 Am7 Cmaj7 Em7 fast
2:50 Am7 Cmaj7 Em7 slow
3:26 Dm7 Fmaj7 fast
3:53 Dm7 Fmaj7 slow
4:27 Am7 Fmaj7 fast
4:53 Am7 Fmaj7 slow
5:26 Bm7b5 Fmaj7 fast
5:43 Bm7b5 Fmaj7 slow
6:03 Dm7 Fmaj7 Am7 fast
6:31 Dm7 Fmaj7 Am7 slow