Скачать или смотреть Frescobaldi, Toccata Undecima, F 2.11. (Ratko, Blank)

Frescobaldi was one of the most important composers in the transition from the renaissance to the baroque. One major part of his output includes his two books of toccatas for keyboard. In the second edition of book one, Frescobaldi made a list of rules for performing his music which I simplified as the following:

1.These toccatas are filled with a number of sections, which Frescobaldi notes should differ in mood and tempo.
2.Regardless of how short the note is, when you reach the end of a section, there should be a pause in the music.
3.As you reach the end of a section you should slow down.
4.The opening chords should be played adagio and arpeggiated.
5.When there is a written out trill, do not play it metrically, but like a typical trill.
6.When there are passages with 8th and 16th notes (quavers and semiquavers), the 16th notes should be in a Lombard rhythm.

Why listening (or playing) these pieces, keep these rules in mind

Timestamps for each section + notes

Ratko:

A- 0:00 (Three voice counterpoint with long pedal tones in the bass. This would work better on an organ compared to a harpsichord)
B- 1:13
C- 1:31 (rule 5)
D- 2:06
E- 2:32 (some parallel motion in 10ths.)
F- 3:02
G- 3:16
H- 3:30 (Use of a dotted rhythm and imitation of an idea: two rising 16th notes)
I- 4:04 (four voice counterpoint with a repeated idea of three 8th notes, with a rising step and descending leap by a third.)
J- 4:20
K- 4:48
L- 5:00 (melody in the bass)
M- 5:12 (Imitation of an idea that starts in the tenor, and ends in soprano.)

Blank: 5:54

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