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Afel Bocoum: The Voice of the Niger, Reimagined

For over three decades, Afel Bocoum stood alongside Ali Farka Touré as a guardian of the Niger River’s musical soul. After Touré’s mentorship, Bocoum launched a solo career with his 1999 debut Alkibar, earning international recognition and forging a creative partnership with Damon Albarn, with whom he collaborated on Mali Music (2002) and later projects. Now, as one of the Sahel’s most compelling artists and a de facto Malian ambassador for endangered instruments like the njurkel lute and njarka fiddle, he prepares a new album, Harber, with singles releasing from October 2025. His 2026 tour unveils two expressions of his artistry—each distinct, yet drawn from the same deep well of Malian tradition.

The Trio: Raw and Essential

First comes intimacy. Bocoum’s new trio strips music to its core—voice, rhythm, and the spaces between. Ali Bounaly Traoré, a Songhoy guitarist from Bocoum’s hometown of Niafunké and his apprentice since childhood, brings fresh energy and deep-rooted knowledge to his solo guitar. Mahalmadane Bountel Traoré, a seasoned Songhoy musician who performed with Khaira Arby, the Nightingale of Timbuktu, anchors the rhythm with calabash and percussion. Their voices weave stirring harmonies, their shared Songhoy heritage creating a sound greater than its parts. Their rendition of Jeeny reveals this alchemy—music pared down, yet profound in its restraint.

The Orchestra: Full Circle

In contrast to this intimacy, Bocoum’s larger ensemble revives the spirit of his original group, Alkibar, weaving the rich tapestry of Malian heritage. Ngoni, njarka fiddle, kora, balafon, njurkel lute, and varied percussion pulse with the Sahel’s heartbeat. Male and female singers blend like desert winds, reflecting the diverse cultures of Mali and beyond.

Two Visions, One Sound

Whether commanding a hushed room with his trio’s quiet honesty or leading his orchestra through the grand narratives of his people, Afel Bocoum remains a bridge between worlds. He carries the Niger’s sound forward—not as a relic, but as a living force shaping tomorrow.

The river remembers. In Bocoum’s hands, it also dreams.