Digital VS Analog with Ruben Tilgner, Elysia | Superbooth 2024

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ABOUT THIS VIDEO

Anthony sits down with Ruben Tilgner (CEO & Founder of Elysia) to discuss the strengths and weaknesses of Analog vs Digital.
We uncover why analog may still be king over digital when processing a sound (especially in real time).

Ruben explains why current digital sample rates and processor speed may struggle at times especially to capture details in the attack transient and analog distortion anomalies. He also discusses the importance of the human interface.

Together we'll learn about where we are now and where we are going with Digital & Analog technology.

00:00 Anthony's Intro
00:47 Ruben - Brief History of Digital
01:46 Experience of Analog vs Digital
09:40 Computer vs Hardware
12:53 Why digital designers struggle to emulate analog instruments
16:11 Simulation Tools
16:39 Emulating analog synths with digital synths
17:45 re-creating fine resolution transients with digital
20:25 Analog Noise Floor
23:12 Measuring Waveforms at 100k
25:30 Processing Power Needed to Create Complex Waveforms
27:30 Summary
28:20 Logo (theme music)

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ABOUT ANTHONY

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns , Internal Affairs , The Man From Elysian Fields , 15 Minutes and Planes, Trains & Automobiles , been commissioned by the Los Angeles Philharmonic for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as Michael Jackson's Thriller .

His extensive work as a young arranger, orchestrator and performer for Quincy Jones , Jack Nitzsche , Lamont Dozier , Arthur Rubenstein and Giorgio Moroder was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.

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