Remix Black Betty (Original Video by Spiderbait), Air-farmers - C441 Conquest, Aircraft, nfsu2

Remix Flying video of Black Betty. We are an elite group of pilots that map the ground from airplanes using large digital format cameras, and LIDAR systems. Me and some buddies flying around. Soundtrack: Black Betty by Spiderbait. Orginal soundtrack by Rama Jam

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"Black Betty" (Roud 11668) is a 20th-century African-American work song often credited to Huddie "Lead Belly" Ledbetter as the author, though the earliest recordings are not by him. Some sources claim it is one of Lead Belly's many adaptations of earlier folk material.[1]

There are numerous recorded versions, including a cappella and folk. The song was eventually, with modified lyrics, remade as a rock song by the American band Ram Jam in 1977. Subsequent recordings, including hits by Tom Jones and Spiderbait, retain the structure of this version.

The origin and meaning of the lyrics are subject to debate. Historically, the "Black Betty" of the title may refer to the nickname given to a number of objects: a bottle of whiskey, a whip, or a penitentiary transfer wagon.

David Hackett Fischer, in his book Albion's Seed: Four British Folkways in America (Oxford University Press, 1989), states that "Black Betty" was a common term for a bottle of whisky in the borderlands between northern England and southern Scotland; it later became a euphemism in the backcountry areas of the eastern United States. In January 1736, Benjamin Franklin published The Drinker's Dictionary in the Pennsylvania Gazette offering 228 round-about phrases for being drunk. One of those phrases is "He's kiss'd black Betty."[2][3] Other sources give the meaning of "Black Betty" in the United States (from at least 1827) as a liquor bottle.[4][5]

In Caldwells's Illustrated Combination Centennial Atlas of Washington Co. Pennsylvania of 1876, a short section describes wedding ceremonies and marriage customs, including a wedding tradition where two young men from the bridegroom procession were challenged to run for a bottle of whiskey. This challenge was usually given when the bridegroom party was about a mile from the destination-home where the ceremony was to be had. Upon securing the prize, referred to as "Black Betty", the winner of the race would bring the bottle back to the bridegroom and his party. The whiskey was offered to the bridegroom first and then successively to each of the groom's friends.[6]

John A. and Alan Lomax's 1934 book, American Ballads and Folk Songs describes the origins of "Black Betty":

"Black Betty is not another Frankie, nor yet a two-timing woman that a man can moan his blues about. She is the whip that was and is used in some Southern prisons. A convict on the Darrington State Farm in Texas, where, by the way, whipping has been practically discontinued, laughed at Black Betty and mimicked her conversation in the following song." (In the text, the music notation and lyrics follow.)

— Lomax, John A. and Alan Lomax, American Ballads and Folk Songs. (1934; reprint, New York: Dover, 1994), 60-1
John Lomax also interviewed blues musician James Baker (better known as "Iron Head") in 1934, almost one year after Iron Head performed the first known recorded performance of the song.[7] In the resulting article for Musical Quarterly, titled "'Sinful Songs' of the Southern Negro", Lomax again mentions the nickname of the bullwhip is "Black Betty".[8] Steven Cornelius in his book, Music of the Civil War Era, states in a section concerning folk music following the war's end that "prisoners sang of 'Black Betty', the driver's whip."[9]

In an interview[10] conducted by Alan Lomax with former Texas penal farm prisoner Doc "Big Head" Reese, Reese stated that the term "Black Betty" was used by prisoners to refer to the "Black Maria" — the penitentiary transfer wagon.

Robert Vells, in Life Flows On in Endless Song: Folk Songs and American History, writes:

As late as the 1960s, the vehicle that carried men to prison was known as "Black Betty," though the same name may have also been used for the whip that so often was laid on the prisoners' backs, "bam-ba-lam."

— Wells, Robert V., Life Flows On in Endless Song: Folk Songs and American History.
In later versions, "Black Betty" was depicted as various vehicles, including a motorcycle and a hot rod.