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Horton on Playwriting and Cinema.
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In this clip from an unfinished 1990s documentary titled "The Horton Foote Project," filmed in 16mm by Dixon McDowell, acclaimed playwright Horton Foote reflects on his creative journey and the interplay between theater and cinema. Foote discusses his origins as a playwright, emphasizing that his approach to storytelling is rooted in theatrical traditions. He explains how his work in television, a medium closely aligned with theater during its early days, served as a gateway to exploring other forms of storytelling. Foote acknowledges the profound influence of cinema on modern playwriting, noting techniques like dissolves and scene transitions that have become commonplace in American theater. He contrasts this with the minimalist approach of playwrights like Samuel Beckett, who prioritize language and pure theatricality, while suggesting that figures like Bertolt Brecht and even Shakespeare have cinematic qualities that resonate with modern storytelling.Foote further elaborates on his evolving perspective, admitting that while he once resisted being labeled anything other than a playwright, he now finds great value in both theater and cinema. He highlights the distinct strengths of each medium, explaining how they can inform and enhance one another. Despite his extensive work in theater, Foote reveals that he has rarely written directly for film, with Tender Mercies being a notable exception. This introspective segment captures Foote’s nuanced understanding of the artistic interplay between stage and screen, offering a glimpse into his creative philosophy and the broader evolution of dramatic arts during his career.
Now seeking funding to finish this 40yr old project.
Learn more at hortonfooteproject.com