Mirrors in Pre-Raphaelite paintings | Reflections: Van Eyck and the Pre-Raphaelites

The convex mirror at the heart of van Eyck’s ‘Arnolfini Portrait’ intrigued the Pre-Raphaelites; this film explores its link with the recent invention of daguerreotypes, and Victorian trends in interior design.

Reflections: Van Eyck and The Pre-Raphaelites
2 October 2017 – 2 April 2018
Sunley Room
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Discover how van Eyck’s 'Arnolfini Portrait' was one of the beacons by which the Pre-Raphaelites forged a radical new style of painting.
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Acquired by the National Gallery in 1842, the Arnolfini Portrait informed the Pre-Raphaelites’ belief in empirical observation, their ideas about draughtsmanship, colour and technique, and the ways in which objects in a picture could carry symbolic meaning.

The exhibition will bring together for the first time the 'Arnolfini Portrait' with paintings from the Tate collection and loans from other museums, to explore the ways in which Dante Gabriel Rossetti (1828–1882), Sir John Everett Millais (1829–1896) and William Holman Hunt (1827–1910), among others, were influenced by the painting in their work.

This exhibition is organised by the National Gallery in collaboration with Tate Britain.

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