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Скачать или смотреть "most profound of all classical music works" | IAV[089] Cello Suite no.3 in C, BWV 1009-II.Allemande

  • Arno Vision
  • 2025-08-17
  • 4
"most profound of all classical music works" | IAV[089] Cello Suite no.3 in C, BWV 1009-II.Allemande
Johann Sebastian BachBaroque musicBaroque styleThe six Cello SuitesAllemandeBWV 1009
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Описание к видео "most profound of all classical music works" | IAV[089] Cello Suite no.3 in C, BWV 1009-II.Allemande

Johann Sebastian Bach (31 March [O.S. 21 March] 1685 – 28 July 1750) was a German composer and musician of the late Baroque period. He is known for his prolific output across a variety of instruments and forms, including the orchestral Brandenburg Concertos; solo instrumental works such as the cello suites and sonatas and partitas for solo violin; keyboard works such as the Goldberg Variations and The Well-Tempered Clavier; organ works such as the Schübler Chorales and the Toccata and Fugue in D minor; and choral works such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been widely regarded as one of the greatest composers in the history of Western music.

The six Cello Suites, BWV 1007–1012, are suites for unaccompanied cello by Johann Sebastian Bach (1685–1750). They are some of the most frequently performed solo compositions ever written for cello. Bach most likely composed them during the period 1717–1723, when he served as Kapellmeister in Köthen. The title given on the cover of the Anna Magdalena Bach manuscript was Suites à Violoncello Solo senza Basso (Suites for cello solo without bass).

As usual in a Baroque musical suite, after the prelude which begins each suite, all the other movements are based around baroque dance types.[1] The cello suites are structured in six movements each: prelude, allemande, courante, sarabande, two minuets or two bourrées or two gavottes, and a final gigue.[2] Gary S. Dalkin of MusicWeb International called Bach's cello suites "among the most profound of all classical music works"[3] and Wilfrid Mellers described them in 1980 as "Monophonic music wherein a man has created a dance of God".

Baroque music refers to the period or dominant style of Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance period, and was followed in turn by the Classical period after a short transition (the galant style). The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "classical music" canon, and continues to be widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word barroco, meaning "misshapen pearl". Key composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Georg Philipp Telemann, Domenico Scarlatti, Claudio Monteverdi, Alessandro Stradella, Jean-Baptiste Lully, Jean-Philippe Rameau, Arcangelo Corelli, François Couperin, Heinrich Schütz, Dieterich Buxtehude, and Heinrich Ignaz Franz Biber

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Say that thou didst forsake me for some fault,
And I will comment upon that offence:
Speak of my lameness, and I straight will halt,
Against thy reasons making no defence.
Thou canst not, love, disgrace me half so ill,
To set a form upon desired change,
As I’ll myself disgrace; knowing thy will,
I will acquaintance strangle, and look strange;
Be absent from thy walks; and in my tongue
Thy sweet beloved name no more shall dwell,
Lest I, too much profane, should do it wrong,
And haply of our old acquaintance tell.
For thee, against my self I’ll vow debate,
For I must ne’er love him whom thou dost hate.

Shakespeare, sonnet 89

Read Sonnet 89 in Easy, Modern English:

Just say that you left me because of some fault of mine
and I’ll accept that fault.
If you say I’m lame I’ll immediately begin limping
and make no arguments in my own defense.
My love, you could not disgrace me half as much
in an effort to improve me,
as I would disgrace myself if I knew what you wanted.
I’ll suppress our acquaintanceship and become a stranger,
stay away from the places you go,
and not mention your dear, beloved name again
in case I, being so unworthy, should reveal the fact
that we once knew each other.
I’ll swear to be my own enemy for your sake,
because I must not love the person who you hate.

#bach #baroque #baroquemusic #classicalmusic #cello #cellosuite #profound

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