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Скачать или смотреть Jeewon Park Performs at the Clark Art Institute- Frederic Chopin's Prelude Op.28 No.1

  • ClarkArtInstitute
  • 2017-06-05
  • 664
Jeewon Park Performs at the Clark Art Institute- Frederic Chopin's Prelude Op.28 No.1
jeewon parkpianochopindecorative artsinterior designclark art institutewilliamstown
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Описание к видео Jeewon Park Performs at the Clark Art Institute- Frederic Chopin's Prelude Op.28 No.1

In this special performance at the Clark, Jeewon Park plays the piano designed by Sir Lawrence Alma-Tadema for the Marquand Music Room in honor of the special exhibition Orchestrating Elegance: Alma-Tadema and Design

Pianist Jeewon Park has garnered the attention of audiences for her dazzling technique and poetic lyricism. She has performed in such prestigious venues as Carnegie Hall, Lincoln Center’s Alice Tully Hall, Merkin Hall, 92nd Street Y, Philadelphia Museum of Art, Kravis Center, and Seoul Arts Center in Korea. Park has appeared at major concert halls across North America, Europe and Asia. Recently, she performed as a soloist in the inaugural festival of the IBK Chamber Hall at the Seoul Arts Center, in addition to engagements at such venues as the Metropolitan Museum of Art, Tilles Center for the Performing Arts, Vilar Performing Arts Center, and Kumho Art Hall, among others. She regularly returns to the Caramoor International Music Festival where she first appeared as a Rising Star in 2007, and is a frequent performer at Bargemusic in New York.

In 1884 the American industrialist Henry Gurdon Marquand (1819–1902) commissioned noted British artist Lawrence Alma-Tadema (1836–1912) to design a Greco-Pompeiian music room for his new Madison Avenue mansion. It was an era when designing luxurious rooms in different styles—Renaissance, Moorish, Japanese, French—was popular among the affluent, and this trend was well represented in other mansions being built along the fashionable avenues in New York. Although Alma-Tadema was most famous as a painter of scenes set in antiquity, he was also known for the imaginative interiors of his own residences. The Marquand music room commission resulted in one of the most evocative interiors of late nineteenth-century New York, featuring a suite of elaborately inlaid furniture alongside textiles, paintings, sculptures, and ancient ceramics in a room that showed off Marquand’s collections while serving as a center for social events and musical performances Orchestrating Elegance: Alma-Tadema and Design (June 4 – September 4, 2017) looks at the history of this exceptional moment in Alma-Tadema’s career and reunites many of the extraordinary components of this lost room for the first time in more than a century.

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