Скачать или смотреть Sickert retrospective displays wide variety of subjects and genres

(26 Apr 2022) UK TATE ART

SOURCE: ASSOCIATED PRESS
RESTRICTION SUMMARY:
LENGTH: 07:37
ASSOCIATED PRESSLondon, UK — 26 April 2022
1. Various of "Self-Portrait. Juvenile Lead" by Walter Sickert
2. Various of Walter Sickert photograph
3. Pull focus from "Self-Portrait" by Walter Sickert to "Self-Portrait. Lazarus Breaks his Fast" by Walter Sickert
4. Wide of various paintings
5. Various of "Self-Portrait" by Walter Sickert
6. Various of "Self-Portrait. Lazarus Breaks his Fast" by Walter Sickert
7. SOUNDBITE (English) Emma Chambers, curator for Modern British Art  Tate Britain:"The consistent thread in his work is more one of his interest in the materiality of paints, his interest in particular themes of everyday life, in particular the music hall and popular culture, and his constant exploration of different ways of depicting the image."
8. Various of "Shop Front. The Laundry" by Walter Sickert
9. Wide of exhibition room
10. SOUNDBITE (English) Emma Chambers, curator for Modern British Art, Tate Britain:"He would sketch the drawings from the subjects and then work them up in the studio, and he would square them up so that he would transfer the composition very faithfully to the canvas. And in some works you can actually see the numbers where he's kind of — one, two, three, four, five for the different bits of the squares that he's transferring over."
11. Various of "Brighton Pierrots" by Walter Sickert
12. Various of "L'Eldorado" by Walter Sickert
13. Wide of exhibition rooms
14. Wide of various paintings
15. Various of "St Mark's, Venice (Pax Tibi March Evangelista Meus)" by Walter Sickert
16. SOUNDBITE (English) Emma Chambers, curator for Modern British Art at Tate Britain:"He thinks of himself as a European rather than a British artist because he was half German. He was born in Munich. He lived many years in France, spent considerable amounts of time in Venice. And although he established his career in England, both at the very start of his work and at the very end, he always has that link to European art. So I think, yes, the travel is important for him."
17. Wide of exhibition room
18. Various of nudes
19. Various of "The Little Bed' by Walter Sickert
20. SOUNDBITE (English) Emma Chambers, curator for Modern British Art at Tate Britain:"The inspiration comes through both the idea of seeing a nude figure in an everyday interior, you know, just on bed, rumpled clothes, iron bedstead, rather than the kind of mythological figures which were much more common in British art in this period of what we would see at the Royal Academy for instance, but also the idea of a kind of realism of the body where the nude isn't kind of idealised or pretty like they feel like real women."
21. Various of "Fille Vénitienne allongée" by Walter Sickert
22. Various of "A Consultation" by Walter Sickert
23. SOUNDBITE (English) Tabish Khan, art critic:"The room full of nudes is actually very provocative, even for that time, I think. And even today we'd look back and go, 'Wow, this is really' — and you know, with looming men standing over sort of like women laying on the bed gets this kind of very sinister, dark undertone. And I think that is one thing you see in a lot of his works, this kind of sinister sense of darkness. And it also makes unsettling and makes you feel unsettled. And that's a really powerful impulse. And that's what I really got from a lot of the paintings."
24. Various of "Alexander Gavin Henderson, and Lord Farringdon" by Walter Sickert
26. Various of "Cicely Hey' by Walter Sickert
27. Wide of exhibition room
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