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Noha: Khaymoon Mein Aag Lag Gai Zainab (as) Akayli Hay (Sham-e-Ghaiban aur hain Khaymay Jalay Hoay)
Poet: Sardar Hussain Sardar
Reciter: Sardar Hussain Sardar
Anjuman-e-Razakaran-e-Hussain (Karachi)

Prof. C. M. Naim explains the form of musaddas thus: The first four lines of each stanza [بند] have one rhyme-scheme (i.e., the same qafiya [قافیہ] and radeef [ردیف]), and the remaining two lines, referred to as the tip, have another rhyme-scheme. Usually the first four lines extend the story line, while the tip, expected to be an exceptionally good couplet, provides a mini-climax as well as a pause in the discourse. While avoiding the monotony of a single rhyme-scheme, the tip allows for moments of rest in the process of public presentation. The basic structure of a musaddas stanza is actually similar to a ghazal couplet's. The first four lines of the stanza form a singularity, which is then made complete by another singularity, the tip couplet.