Schubert - Deutsche Messe, Mass No.1,2,3,4,5,6 D.950 Full (Century's recording: Wolfgang Sawallisch)

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Franz Schubert (1797-1828) The Complete Masses.
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Deutsche Messe, D872 for chorus (c), wind, timpani & organ (o).
00:00 D872 I.Zum Eigang
03:56 D872 II.Zum Gloria
05:44 D872 III.Zum Evangelium & Credo
10:02 D872 IV.Zum Offertorium
12:00 D872 V.Zum Sanctus
14:30 D872 VI.Nach der Wandlung
17:03 D872 VII.Zum Agnus Dei
19:26 D872 VIII. Schlussgesang
21:13 D872 Anhang: Das Gebet des Herrn

Mass No.1, D105 in F for soloists (s),(c), orchestra (or)&(o).
24:30 D105 I.Kyrie
32:14 D105 II.Gloria
44:33 D105 III.Credo
53:06 D105 IV.Sanctus
55:23 D105 V.Benedictus
59:47 D105 VI.Agnus Dei - Dona nobis pacem D185

Mass No.2, D167 in G ‘Missa Brevis’ for (s),(c),(or)&(o).
1:12:16 D167 I.Kyrie
1:16:01 D167 II.Gloria
1:18:44 D167 III.Credo
1:22:30 D167 IV.Sanctus
1:23:45 D167 V.Benedictus
1:28:29 D167 VI.Agnus Dei

Mass No.3, D323 in B flat ‘Missa Brevis’ for (s),(c),(or)&(o).
1:33:46 D325 I.Kyrie
1:39:06 D325 II.Gloria
1:47:34 D325 III.Credo
1:53:09 D325 IV.Sanctus
1:54:52 D325 V.Benedictus
1:59:36 D325 VI.Agnus Dei

Mass No.5, D678 in A flat for (s),(c)&(or).
2:03:28 D678 I.Kyrie
2:11:21 D678 II.Gloria
2:25:29 D678 III.Credo
2:37:07 D678 IV.Sanctus
2:40:20 D678 V.Benedictus
2:44:47 D678 VI.Agnus Dei

Mass No.4, D452 in C ‘Missa Brevis’ for (s),(c),(or)&(o).
2:52:38 D452 I.Kyrie
2:55:35 D452 II.Gloria
2:59:41 D452 III.Credo
3:05:19 D452 IV.Sanctus
3:06:54 D452 V.Benedictus 1
3:09:53 D452 V.Benedictus 2
3:14:03 D452 VI.Agnus Dei

Mass No.6, D950 in E flat (s),(c)&(or).
3:18:15 D950 I.Kyrie
3:25:30 D950 II.Gloria
3:39:20 D950 III.Credo
3:54:57 D950 IV.Sanctus
3:58:40 D950 V.Benedictus
4:04:29 D950 VI.Agnus Dei

Soprano: Lucia Popp, Helen Donath
Contralto: Brigitte Fassbaender
Tenor: Adolf Dallapozza, Peter Schreir, Francisco Araiza
Bass: Dietrich Fischer-Dieskau

Chor und Symphonie-Orchester Des Bayerischen Rundfunks
Conductor : Wolfgang Sawallisch
Recorded in 1977-83 at Munich
New mastering in 2021 by AB for CM//RR
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The master wrote six masses. The catalogue of Schubert's compositions mentions also a " Deutche Messe," written in 1827 ; this, however, is no more a mass, strictly speaking, than the " German Requiem" of Brahms is a Requiem. Every amateur will be glad to see these works brought within easy reach, because, thanks to the justice of Time, Schubert now occupies a position able to command attention for everything bear- ing his name. His compositions increase our knowledge of the man and his genius. Those amateurs, who are already familiar with Schubert's Masses have a special and well-defined reason for hailing their publication in the present form. It is not so much a question of a further revelation of Schubert, though that assumes importance, as of increasing the store of classical and, at the same time, popular music. The Masses differ in point of value not less than of character, but, taking them altogether, they are, as religious music, refined and noble, as music per se, healthy and strong. Every effort to spread such works broadcast among the people deserves encouragement, now that well- meaning but misdirected enthusiasm is doing its utmost to establish false canons of taste. One propaganda must be met by another; and a point is scored on the right side when good music becomes accessible to all.

Franz Schubert PLAYLIST (reference recordings) :    • Franz Schubert (1797-1828)