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Bloody Daddy Movie Review By Summary of Cinema. Bloody Daddy Streaming on Jio Cinema Featuring Shahid Kapoor is a Mini John Wick Desi Package Cinema, An Officer on the Chase but a Vulture on his Hunt what happens next when their paths cross will blow you away with 100% Action! Bloody Daddy Full Movie Story Outline Explained & Positives Negatives would be shared in this Video. Gadar 2 in Theatres or Bloody Daddy on JioCinema OTT what are your plans for today? Do leave your Public Review in the Comments below.

‘Bloody Daddy’ movie review: Shahid Kapoor’s action film lacks force
Shahid Kapoor plays a springy action hero battling a drug cartel in Ali Abbas Zafar’s largely derivative, occasionally funny film
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Come for Shahid Kapoor, stay for Ronit Roy in an outrageous velvet suit saying, “I’m not a bad guy. I just sell drugs.” Roy’s kitsch —later combined with Sanjay Kapoor’s — kept me awake and entertained through Bloody Daddy (out on JioCinema). The film, directed by Ali Abbas Zafar, teeters between action and comedy, while self-consciously avoiding the tag of an ‘action comedy’. The film wants to be taken seriously, even praised as a slickly violent Hindi action offering, and that is the rub. I enjoyed the laughs — one character is funny simply because he talks almost exclusively in English — but accepting Bloody Daddy at face value is a big ask.
In post-pandemic Delhi, anti-narcotics cop Sumair (Shahid Kapoor) and his partner (Zeishan Quadri) waylay a car and confiscate Rs. 50 crore worth of cocaine. Their interception angers Sikandar (Roy), a Gurugram kingpin and hotelier. Over the phone, he informs Sumair that he has kidnapped his son, asking him to return the bag of drugs in exchange for the boy. Sumair turns up that night at the Hotel Emerald Etlantis. He has a gut-wound to nurse, and a gameplan; he will rescue his son without returning the drugs.
The premise of a lone-wolf father fighting for the release of his child is as old as action movies themselves. Bloody Daddy is a remake of the 2011 French film Nuit Blanche (Sleepless Night) — Kamal Haasan earlier adapted it in 2015 as Thoongaa Vanam — though, as was evident from its trailer, it aspires to ape a different franchise: John Wick. Zafar is so keen to appropriate the visual grammar of the Keanu Reeves/Chad Stahelski franchise he forgets something crucial: Gurugram is not New York. Emerald Etlantis — teeming with boisterous wedding revelers and actually shot in Abu Dhabi — lacks the menace and mysticism of the Continental Hotel. Weirder still is a sequence where Sumair, plodding through strobes of harsh disco light in John Wick-fashion, does a quick heel turn and, to conceal himself in the crowd, breaks into Bhangra.

Sumair desperately needs his own identity as an action hero, and the film struggles to give him one. Initially, I presumed Zafar was deferring the big action set-pieces to the film’s second half to build suspense. In truth, he was just delaying the inevitable. The fight scenes, though increasingly brutal, contain little originality or invention (2022’s An Action Hero, while essentially a satire of the genre, was a league above). The film’s idea of ‘realistic action’ is to have characters improvise with everyday objects. Thus, when Sumair fights in a gaming arcade, he picks up a striking club; when the setting changes to a kitchen, he switches to rolling pin and chopping board. This goes for a toss in the climax when he magically procures a flamethrower (perhaps to burn out the Badshaah guest track that plays).
Shahid — spry, springy, slender and sharp-jawed ­­— is a better tool in Zafar’s hands than someone like late-career Salman Khan. Kapoor fights with a mean streak, even if his opponents, minus perhaps only Rajeev Khandelwal, are undifferentiated bags of blood and air. What ultimately hobbles Kapoor’s performance is the film’s drift towards emotion. Sumair is portrayed as a deadly fighter with a heart of gold. Each time he gazes over at his son, the music turns emotional (even in the midst of an action scene). He helps out two Nepali immigrants with rent — after racially profiling them — and a scene where he schools a woman’s pushy date is like a little olive branch extended to the detractors of Kabir Singh.

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