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Every landscape I encountered was in a constant process of change, with its roots in the distant past and a reach that could extend into the future without an end in sight, continuing even after the human race had disappeared from the face of the Earth. From my perspective, it was fascinating to witness the "metamorphosis of timeless nature," where any idea imaginable could fit.
Immobility was an illusion, because on another level, there was action and movement, a change that was the result of an organizing agent that had been at work and that defined itself as the evolutionary matrix of nature. The idea that painting could be a window into this dimension made it clear that the first works in "Ageless in the Raw" were only the beginning of an immense journey, an endeavor that could take a lifetime, and that, for me, was a great adventure.