James Bond 007 | ALL GUNBARRELS COMPILATION

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All gunbarrel sequences from every Eon produced James Bond film, a compilation from 1962 to 2015. Each sequence has different arrangements and instrumentation of the James Bond theme, composed by Monty Norman, to reflect the theme, locale or time period of the film.

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SEAN CONNERY (1962-1964)
The gun barrel sequence to feature Bond only in silhouette, with a non-widescreen aspect ratio, stunt man Bob Simmons, rather than Sean Connery, plays Bond.

This version, without the electronic noises or the Saltzman-Broccoli credit line, was also used in From Russia with Love with more red coloured blood and Goldfinger which fades into the pre-credit sequence.

(1965–1967)
For Thunderball, the aspect ratio of the films was changed to a Panavision anamorphic format and so the gun barrel sequence had to be reshot, this time with Sean Connery in the role. It is also the first gun barrel sequence in which the white dot segues to the film's pre-credit sequence, opening up to reveal the entirety of the scene.

1969 (George Lazenby)
With a new actor, George Lazenby, in the role of James Bond for On Her Majesty's Secret Service (1969), a third sequence had to be filmed. As with Thunderball, the sequence was once again shot in color.

ROGER MOORE (1973–1974)
With the introduction of Roger Moore, and the use of a 1.85:1 matted aspect ratio, a fourth sequence was shot. It was used for just two films: Live and Let Die and The Man with the Golden Gun. Moore wears a business suit and, unlike Simmons, Connery and Lazenby, uses both hands instead of one hand to fire his gun, his left hand bracing his gun arm. This is the first gun barrel sequence in which Bond is not wearing a hat.

(1977–1985)
The anamorphic format was reinstated for The Spy Who Loved Me, necessitating a fifth version of the sequence. Moore's Bond wears a dinner suit (tuxedo) rather than a business suit and again uses both hands to fire his gun. This rendering would feature in all Moore's subsequent films in the series, for a total of five appearances, the most uses of the same footage to date. In this version of the sequence, unlike previous and later incarnations, the prop gun held by the actor is never actually fired until Octopussy, as can be determined by the lack of gunsmoke in the freeze-frame.

TIMOTHY DALTON (1987–1989)
A new gun barrel sequence was shot due to the change in actor from Roger Moore to Timothy Dalton and was used for both of Dalton's films. Dalton walks swiftly with a slight bounce before sharply spinning and firing. Dalton crouches down slightly when he fires. Unlike Moore, Dalton shoots one-handed.

PIERCE BROSNAN (1995–2002)
Following Maurice Binder's death in 1991, Daniel Kleinman became the designer of the Bond opening graphics. Beginning with GoldenEye (1995), the barrel was computer-generated (but still resembles the original images of the barrel itself) emphasising light and shade variations in the rifling spiral as the reflected light shifts with the gun's movement. Like Dalton, Brosnan shoots one-handed. Unlike the previous Bonds, he remains bolt upright as he fires, with his gun arm extended straight at the camera.

The theatrical trailer for Tomorrow Never Dies featured its own gun barrel sequence in which Bond, in a dinner suit, fires with both hands ala Roger Moore, at the six-grooved gun barrel.

In Die Another Day (2002), Lee Tamahori, the film's director requested a CG bullet be added into the sequence, which is seen zooming from Bond's gun at the screen and disappearing, suggesting that Bond has fired straight into his opponent's weapon. This was the last gun barrel sequence where Bond wears a dinner suit and the last one until Spectre where the sequence opens the film.

DANIEL CRAIG (2006)
The gun barrel sequence was revised again for Daniel Craig's first portrayal of Agent 007 in Casino Royale. Unlike previous installments, the gun barrel sequence does not open the film as a standalone segment; it is part of the plot.

(2008)
The gun barrel was refilled and edited for 2008's Quantum of Solace. It reverts to a more traditional style, although the sequence was placed at the end of the film to start the closing credits, due to a final cliffhanger scene being cut by Marc Forster.

(2012)
Yet another redesigned gun barrel is used for the film Skyfall (2012). Although director Sam Mendes had originally intended to place the gun barrel at the start of the film, he felt that it would be better placed at the end, as in Quantum of Solace.

(2015)
The gun barrel is placed at the immediate opening of Spectre, the first time since Die Another Day that a Bond film has opened with the gun barrel. The gun barrel design is similar to that of the original Maurice Binder era and the Pierce Brosnan era, only sharper.