Скачать или смотреть B7 and E9 Blues: (Transform Your Playing) Chords Are Beginner Gold

Let’s dive into why the B7 barre chord and the E9 chord are fantastic choices for beginner blues guitarists. These two chord shapes offer simplicity, versatility, and that classic bluesy vibe, making them perfect stepping stones into the genre.

B7 Barre Chord
The B7 barre chord (often rooted on the 5th string) is a dominant seventh chord, a staple in blues music. Here’s why it’s great for beginners:
Movable Shape: The B7 barre chord is essentially a movable version of an open A7 chord. You barre your index finger across all six strings (e.g., at the 2nd fret for B7) and use your ring finger to fret the 4th fret on the 4th string. Once you learn this shape, you can slide it up and down the neck to play any dominant seventh chord (e.g., C7 at the 3rd fret, D7 at the 5th fret). This portability is a game-changer for beginners because it reduces the number of shapes you need to memorize.

Blues Foundation: The dominant seventh sound (with that flattened 7th note) is the backbone of blues progressions, like the 12-bar blues. For example, in the key of E, you’d use B7 as the V chord, which pulls strongly back to the tonic (E). It’s an instant gateway to authentic blues flavor without needing complex fingerings.

Strength Building: Barre chords can be tricky at first, requiring finger strength and coordination, but starting with B7 is manageable because it’s less intimidating than, say, an F major barre. It’s a practical entry into barre technique, which opens up a world of chords later on.
E9 Chord
The E9 chord (typically played as an open chord or with minimal fretting) adds a jazzy, soulful twist to blues. Here’s why it’s awesome for beginners:
Easy Open Shape: One common E9 voicing is played by fretting the 2nd fret on the 5th string (B), 1st fret on the 3rd string (G#), and leaving the 1st, 2nd, and 6th strings open (E, B, E). The 4th string can be muted or played open (D). This shape is forgiving—your fingers don’t need to stretch much, and the open strings do half the work, making it accessible for new players.

Rich Bluesy Tone: The “9” in E9 refers to adding the 9th note (F#) to an E7 chord. This extension gives it a funky, sophisticated sound that’s still rooted in blues but hints at jazz or soul. Beginners can sound more advanced without much extra effort, which is motivating.

Versatility in Progressions: E9 works beautifully in blues turnarounds or as a substitute for E7 (the I chord in a key of E blues). Pair it with A7 and B7, and you’ve got a slick, expressive progression. It’s a low-effort way to spice up basic chords and keep jamming fun.
Why They’re Great Together
Complementary Sounds: B7’s raw, gritty tension pairs perfectly with E9’s smoother, extended vibe. Together, they cover the spectrum of blues emotion—tension and release.

12-Bar Blues Ready: In a standard E blues (E-A-B), swap E for E9 and use B7 as the V chord. Instant classic sound, minimal learning curve.

Skill Progression: B7 builds barre chord confidence, while E9 introduces chord extensions. They bridge basic open chords to more intermediate techniques.
For a beginner, these shapes are like training wheels with style—they’re practical, sound great