Скачать или смотреть Philosophies of Political Theatre with Dr. Shayoni Mitra

Prof. Shayoni Mitra works at the intersection of performance and politics. Her interest in political theatre stems from her years as an actor with Delhi based street theatre group Jana Natya Manch. She is currently revising toward publication her manuscript, “Contesting Capital: A History of Political Theatre in Postcolonial Delhi,” which interrogates the ever shifting, adapting expressions of political theatre under different configurations of power. It is a historical look at both proscenium and street theatre from the decade of Independence in the 1940s to the twenty first century. The manuscript covers a range of styles including folk and revolutionary singing troupes, large open-air performances, topical agit-prop plays, intimate and improvized activist pieces and feminist performances. This understanding of what it means to be political in changing times, is linked fundamentally with the life and profile of a city. New Delhi, the new capital of postcolonial India offers a unique nexus of local, regional and national power from which to understand and interrogate the ways in which cultural policy functions in creating identity for a new nation and its multiple peoples. Read this way, the history of political theatre in Delhi becomes metonymic for the oppressed and marginalized populations of this ever expanding global city.
Learning Resources:
Safdar Hashmi, The First Ten Years of Street Theatre
Shayoni Mitra, Violating Performance