Sabrina Carpenter’s new album Man’s Best Friend sparked one of the most bizarre internet controversies of 2025 — and it says more about outrage culture than it does about her. The artwork was artistic, poignant, and full of intention, yet critics took the shallowest possible interpretation and turned it into performative outrage.
In this video, we break down why the backlash was unfair, why Sabrina’s cover art mattered, and how she ended up releasing alternate covers to appease the noise. Then we compare that to the lack of outrage over Jessie Murph’s new track 1965, which includes a lyric alluding to domestic violence in a historical context — a line that tells a story but hasn’t faced the same fake moral panic.
This isn’t about pitting artists against each other — it’s about showing how outrage culture chooses its targets and how shallow internet discourse can crush artistic expression.
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