Grateful Dead - Hunter's Trix Vol. 164 - Philadelphia PA 4-19-84

Grateful Dead
Hunter's Trix Volume 164 by Hunter Seamons - Philly '84 1/3
Philadelphia Civic Center
Philadelphia, PA
April 19, 1984

Set 1
1 - Bertha ＞ 0:00
2 - Greatest Story Ever Told 6:47
3 - Loser 10:51
4 - C.C. Rider 18:29
5 - Bird Song 26:48
6 - Hell In A Bucket 40:21
7 - Big Railroad Blues 47:48
8 - The Music Never Stopped ＞ 55:21
9 - Don't Ease Me In 1:04:07

Set 2
10 - China Cat Sunflower ＞ 1:07:14
11 - I Know You Rider 1:14:42
12 - Estimated Prophet ＞ 1:21:02
13 - Terrapin Station ＞ 1:35:04
14 - Drums ＞ 1:48:17
15 - Space ＞ 1:59:06
16 - The Wheel ＞ 2:08:55
17 - Wharf Rat ＞ 2:14:44
18 - Sugar Magnolia 2:26:03

Encore
19 - It's All Over Now, Baby Blue 2:35:06

Note: This account is not managed by Hunter and I take no credit for his work. I am just making it available here for more people to enjoy. You can also find Hunter's Trix volumes on archive dot org and shnflac dot net.

Hunter's Notes:
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Matrix


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SBD (shnid=118658):

Recording Info:
SBD -＞ Cassette Master -＞ Reel -＞ Dat (SV3800/48k)

Transfer Info:
Dat (Sony R500) -＞ Sound Devices 744T -＞ Adobe Audition v3.0 -＞
Samplitude Professional v11.2 -＞ FLAC
(3 Discs Audio / 1 DVD FLAC)

All Transfers and Mastering By Charlie Miller
February 2, 2012

Notes:
-- Set 2 is seamless
-- Thanks to Joe B. Jones for his help with the pitch correction

[11-second cut during Bertha. 16-second cut during Space.]

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AUD (shnid=154718):

This is a 16/48 fileset. 24-bit ＞ 16-bit via dBpoweramp

Source Info:
Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row O, seat 15); Sennheiser 441 mics ＞ Sony D5M

Transfer Info:
Master Cassettes (Nakamichi CR-7A) ＞ Tascam DA-3000 (24-bit/96k) ＞ Adobe Audition CC 2022 ＞ TLH flac2496

Notes:
Thanks to Doug Lamarre for the master (FOB) cassette recording
Thanks to Charlie Miller for the transfer and coordinating this effort
Thanks to Jeff Silberman for the Sennheiser 441 source which supplies some crowd and beginning of "Bertha" (0m20s total), additional 0m05s patch in "Bertha", a 0m06s patch in "Bird Song", a 0m04s patch at the beginning of "The Music Never Stopped", as well as a 4m13s patch in "Drums"
Fresh transfer
Pitch Corrected

Mastered by Scott Clugston
November 2021

[Circulated 12/17/21]

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Thank you to Charlie Miller for the SBD transfer,
to Doug Lamarre and Jeff Silberman for recording the show,
to Charlie Miller, Scott Clugston, and Joe Noel for the AUD transfers,
and to Dan Raznick for feedback on the Bird Song mix.

Matrix by Hunter Seamons using Final Cut Pro (FLAC ＞ AIFF ＞ Final Cut w/EQ ＞ AIFF CD tracking via Audacity ＞ FLAC16 via xACT w/meta-tagging)
December 24, 2023

Notes:

The first 1m25s of Bertha in the SBD mix has a boomy, flat sound before it kicks into gear.

The SBD levels were louder for the first couple songs and were reduced to compensate.

A loud burst in Jerry's vocals during Bertha was reduced.

Jeff Silberman's Sennheiser 441 Dat recording, No. 142045 via Charlie Miller and Joe Noel (5/25/18), patches additional sections between songs in the AUD to maintain a continuous AUD track in the matrix.

11-second cut in Bertha (in the middle of huge Phil Bombs) and 16-second cut in Space in the SBD source now patched. The most beautiful, ethereal section of Space is where the cut occurs at 6m36s - interesting to go AUD-only here for this transcendent moment.

Tuning sections were trimmed.

Lamarre's recording adds some deep, resonant bass that is much needed for these particular SBD mixes. There was some pretty extended high end (treble) for these Philly shows that was EQ'd as needed with respect to each source.