Скачать или смотреть Early Works of Terrance Lindall & Part of Retrospective 2018

.The Early Works of Terrance Lindall
Saturday, January 20 – Sunday, February 18, 2018
In the main gallery: 19th Annual WAH Salon Show
Opening Reception: Saturday, January 20, 4–6pm
Tickets: https://www.eventbrite.com/e/terrance...
In April 2018: The Terrance Lindall Complete Retrospective with the Later Illustration Work
Including a program of music, lectures, and a gala dinner,
PLUS FIRST VIEWING OF THE 32 X 17 INCH GRAND PARADISE LOST FOLIO

“Terrance Lindall’s synopsis of Paradise Lost was the only “rendition’ truest to Milton than any other synopsis. Moreover, it is poetic in its own beauty, with each word carefully chosen to be true to Milton while maintaining integrity with his great epic and rendering of it into a readable form.” — Dr. Robert J. Wickenheiser, 19th President, St. Bonaventure University

“Terrance Lindall is ever surpassing himself as Milton’s greatest artist.” — Robert J. Wickenheiser, December 6, 2013

"Terrance: Would that Milton had been as rich in writing about his great epic as you have been about everything you have written about your scroll and the inspiration for it. I don't mean to sell Milton short by any means because, like all great artists, somewhere in his writing can be found his own profound reasons for what he has done and why he did it. In this you stand side by side with the great bard in wanting your paintings to be appreciated and understood." - Dr. Robert J. Wickenheiser, 19th President of St. Bonaventure University


Detail of the Paradise Lost gold illuminated scroll
“Thank you Terrance. I am grateful for all you are doing. It is an amazing project. You are creating a great legacy.” - Professor John Geraghty [37]
“This is stunningly beautiful! There is so much to look at, both traditional and intriguingly mysterious. It really makes me think of Blake's 'Marriage of Heaven and Hell,' as well as some of the Serbian iconography I've been looking at recently in the monasteries of Fruska Gora. I visited the ancient monastery and chapel of Hopovo, and the brilliant colors of the figures crowding into the inner sanctum recall your powerful sunsets and energetic (yet static) figures.” - Professor Karen Karbiener, Department of English, New York University
The Paradise Lost Elephant Folio
In 2012 Lindall completed work on production of "The Paradise Lost Elephant Folio," a hand-embellished and gold illuminated 13 x 19 inch book containing 14 full-page printed illustrations with hand-painted illustrated borders. Only two copies exist, one in the collection of the Yuko Nii Foundation and the other in the Robert J. Wickenheiser collection. {[38]
The borders of the elephant folio are complete paintings in themselves. Although the border art focuses principally on elements of design, they also tell stories or make commentary about what is illustrated in the featured central paintings. The borders also are tributes to both humanity’s great achievements, such as music, dance and architecture, as well as tribute to those individuals and institutions and friends who have had important influences on his ideas, or who have shown substantial support or affinity. For example, the Filipino surrealist artist Bienvenido “Bones” Banez, Jr. {[39] discovered Lindall’s repertoire during the Brave Destiny Show and communicated to Lindall the idea of how “Satan brings color to the world.” Lindall thought the idea to be an insightful and original "affinity" and so he honors Banez in the page of the elephant folio that is a tribute to art by placing Banez’s name under an artist's palette of colors in the border.